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Head-to-Head: Mark E + Eugene Whang

With Eugene Wang and Mark E coming together to great effect under the Public Release banner, and generally being good friends, we sat back and let them take control of the questions in this head to head.

Lo Shea

We get under the skin of Sheffield-based DJ, producer and club owner Lo Shea, from his roots in dancehall and drum’n’bass right up to his community enriching work through his Hope Works project.

Leon Vynehall: Rojus (Designed To Dance)

The new double 12″ from Leon Vynehall is not an album. Great pains have been gone to ensure this point is chipped into stone, right up to the bracketed ‘Designed To Dance’ subtitle, yet here is Vynehall, levitating like a zen master.

Sasha: Scene Delete

This is the forth entry driven from Sasha’s own production desk with no dip in quality. It begs the question; will anyone ever manage to best Coe in this arena. As it stands, all signs are pointing towards “no.”

Cromie

LA based producer Cromie talks about living in Los Angeles and the flourishing warehouse scene; he also goes in-depth about the impending presidential elections. His mix features music from Iron Curtis, F.I.O., Natasha Kmeto, Ata Kak, Urulu, Neville Watson and more.

Ondo Fudd: Blue Dot

Flippant as it sounds, Seaton’s accomplishment in production keeps on growing to the extent where every release now comes with a “must have” status.

R-Zone: R-Zone 16

There is a sense that R-Zone is continuing to mature where it could have embraced a niche, flourished and withered, resulting in a label that is now consistently surprising and enthralling with each new release.

Juxta Position

As a DJ, Juxta Position is more focussed on one type of sound compared to the eclecticism of Marquis Hawkes. We caught up with the man behind the two aliases to discuss how got involved with DVS1’s Mistress Recordings and his music.