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Guy Andrews: Our Spaces

“Our Spaces” is absurdly crammed with powerhouse belters, of blistering and emotive electronic music, of tentative air and formidable listening. In its entirety, Guy Andrews has created a perfect mix of otherworldly techno and distorted post-rock, strewn together then torn right back up again, a palpable irony against the laws of electronic music, that works so, so well.

Lapti: V Tiraj

Lapti surpasses the cut-and-paste schemes to offer a cohesive and almost organic journey through fully synthetic stratums of sound. A combination of ethereal beauty and melodic tour de force.

Jeff Mills: Light from the Outside World at the Barbican

If classical music, at least in aesthetic terms, presents tradition and the known, then during these performances Mills electronics have succeeded by working from within and alongside it, pushing its borders outwards toward the strange and unknown.

Unsound Festival 2015

The combination of obscure venue locations, sophisticated lighting design and diverse programming carved out a strong aesthetic for the festival – Unsound impressed. Big time.

130701: Pioneers of Post Classical

Following the announcement of the relaunch of the post-classical imprint 130701 – We caught up with label boss Dave Howell to discuss the history of the label and its involvement in establishing one of the musical epochs of our time. Dave also compiles a playlist of his top 130701 releases.

Madteo: Raveyard Shifts

Anxiety is over, or has it just started growing on you? One thing is sure, Madteo’s paranoid cuts lost nothing of their fearful charm.

Burnt Friedman

Burnt Friedman serves up an hours mix of hypnotic polyrhythms, dubby corridors and cerebrally ­stimulating audio patterns. Friedman also speak about why 2015 is likely to be a busy twelve ­months for him and his label Nonplace.