Rather than robots from the future, the reality is that these are deeply talented musicians delivering a series of highly complex pieces of music flawlessly in the live environment.
Clean-cut and surgically executed, the music of Berlin-based sound sculptor and composer Orson Hentschel undeniably bears the seal of a ripened obsession for textural interplays, steep brutalistic patterns and
‘Whities 021’ in its effervescent minimalism and steadiness is more meditative and regular compared to some of Bambounou’s quirkier, flashier and club-ready works, a kind of surprising and counterintuitive move considered that Whities is certainly not a label afraid of pushing the boundaries of experimentation.
Active since the early 00s onwards, Beijing-based duo Zaliva-D has remained a well-kept secret for years. Having not completely managed to break past China’s highly limitative internet
‘In A Paraventral Scale’ is the first part of ‘Flush Real Pharynx’, a triptych being released via Hyperdub throughout 2019, accompanied by a new audio-visual live show. According to Gamble, the work is a “sonic documentary”, aiming to explore the “three stages of the Semioblitz” – the aggressive onslaught of visual and sonic stimuli of contemporary cities and virtual spaces.
Dismantling dance music traditional references since 2013, Haunter Records have established themselves as one of Europe’s most forward-thinking and experimental labels, flourishing in the home turf