“Like those formative moments of psychedelic experimentation, the music of GAS can feel revelatory and other worldly. It’s less of a voyage into space than a
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Houghton Festival 2024
Returning for its fifth iteration, Houghton remains a festival coveted for its meticulously curated lineup, high-quality sound and serene lake-side setting. In the wake of one
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Box5ive: Grey Space
“Grey Space presents strands of bass music interspersed with lush, atmospheric ambient. The album is an exceptional exploration and mixture of divergent electronic sounds that leaves
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Nthng: I’d Love To Fly
“Accessible and warm yet enigmatic and technical, ‘I’d Love To Fly’ uses the abstraction of IDM and the definitive rumination of ambient to shape an entrancing
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Lina Filipovich: Music For An Imaginary Dancefloor
“Unpredictable rhythms of teasing techno are co-written with analog synthesisers, sporadically rendering psychological thrill and turmoil” Charcoal skies descend silk tapestries of glazing textures, and the
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Actress: Statik
“Statik appears tacitly through the illuminated fog and beckons us into the refractive cornices of Cunningham’s inextricably visual architectures.” Just within a year of ‘LXXXVIII’ for
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Ulla & Ultrafog: It Means A Lot
“Straus’ knack for skittering fungified concrete, croaks of ring modulation and the unwieldy resonances of dropped equipment skirt Fukuzumi’s redacted downtuned plinths, in a semi-lucid diorama
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Monty Luke: Nightdubbing
“Nightdubbing is a multi-layered voyage through vivid experiences Monty Luke has lived and breathed” Radiance and shade are sensitively balanced on ‘Nightdubbing’, a refreshing album by
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Xenia Reaper: Luvaphy
“Reaper’s work is seamlessly mixed, whilst effortlessly radiating in a subtle haze of internet 2.0 sonics, detached and encased in a kind of stoned austerity” In
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Hotspring: Apodelia
“Apodelia functions as a series of vignettes tied together and enhanced when heard front to back” In an era with ease of access to different instruments,
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Low End Activist: Airdrop
“Airdrop is all mutating cyber-bleeps wrung out over agonised writhing blares and cheeky strands of breakbeat flirt with silence” A palpable sense of fear and excitement
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Laenz: After Sunset
“Obscure and eerie broken beat, dubstep deconstructions dilute reality into an open-ended teaser of tense and physically alert, smokey reverie” Brooklyn-based Laenz‘s debut album “After Sunset”
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Lost Paradise: Blissed Out Breakbeat Hardcore 1991-94
“Carefully woven threads of Sheffield bleep ambience, rave futurism, and soul-synchronised synth pads are dewy drops of pure club-floor epiphany” Blissed Out Breakbeat Hardcore – do
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Teqmun: Worms Still Have To Eat The Dirt
“Squiggly, strictly metered electronics bolstered to fit the dark endeavours of a restless body and intellect” Critical examiners who love a solid imploding experience, if not
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Rising Sun: The Eternal
“No stranger to dub techno, Rising Sun continues to venture into familiar territories of the genre, thoroughly satisfied to refine, polish, and perpetuate its timelessness” In
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Sha Ru: They Are Textural
“Cemented in free thought and deft rhythmic architectures, displaying shades of post-punk and industrial influences, Sha Ru bring their most vulnerable conceptions to life” New York/Berlin-based
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