Unrealistic Expectations is a new label from Spain focussed on issuing cassette compilations featuring their favourite artists from the electronic spectrum. With a penchant for punk electronics,
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ArtistMaoupa Mazzocchetti
Results6Brussels’ dwelling hardware enthusiast Maoupa Mazzocchetti has spent the past few years honing his own brand of deranged, industrial leaning electronics. Seemingly drawing influence from the 80s tape scene, early concrète and Birmingham school techno, his productions have found favour among labels such as Mannequin, Knekelhuis and early admirers Unknown Precept.
Premiere: Maoupa Mazzocchetti – Sceptre Chases Away Shadows
Marseille mentalists Brothers From Different Mothers (BFDM) serve up a bowl of flaming hot badness from the serially strange Maoupa Mazzocchetti in the form of his
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Feÿ Festival 2019: Huerco S, PLO Man, Nathan Melja, Antoine Kogut, Maoupa Mazzocchetti
Draped in the “eerie and intimate” ambience of the Château du Feÿ in Burgundy, France, the second edition of the eponymous Feÿ Festival will take place
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Premiere: Maoupa Mazzocchetti – 644 Beauty Marks
Having focused on the publishing of fearless, polyamorous, left-of-centre electronics since its inception in 2014, Knekelhuis has been delving with equal flair into the realms of punk,
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Gag Flag: Maoupa Mazzocchetti talks up his second album on Editions Gravats
We caught up with Maoupa Mazzocchetti to delve further into the ins and outs of his complex, pigeonhole-proof musical realm. With his trademark sense of humour and generous eloquence, the French producer takes us back to the sources of ‘Gag Flag’ but also speaks studio methods, wider artistic vision as well as his large stream of influences.
Maoupa Mazzocchetti and Beau Wanzer talk up ‘De-Bons-En-Pierre’
Gathered under the enigmatic name of De-Bons-En-Pierre with an exciting off-axis debut for Josh Cheon’s Dark Entries, L.I.E.S. very own analogue fiddler Beau Wanzer and French techno experimentalist Maoupa Mazzocchetti unite in a twopronged attack towards senseless standards and calibrated boredom on the weirdly mouth-watering ‘Crepes’.