Following the publication of our Best Albums of 2018 we now turn our attention to the trusty format of the 12-inch extended player.
Vester Koza’s debut album on Houndstooth takes an intriguing look back over the nineties dance music scene. You may not think that statement alone is particularly unusual, however the IDM slant of ‘loader mither’ sets itself apart from other retrospectively minded works that mine the strait-laced tropes of the era.
Boston-based composer and producer Isabella debuted in 2016 with a nine-track collection of caustic hardware-based techno via Jacktone Records. Since then, she’s established a presence as
At its core, ‘Compro’ feels like an album of classic design, comprising twelve tracks of similar lengths, with no filler, half-baked ideas, or perfunctory concessions at any stage. It has been pitched as an evolution of the techno album and as an experimental electronic journey, the past perfected and a blueprint of the future.
Due out shortly on Manchester’s Natural Sciences, Brenecki’s new four-tracker finds him melding a dashing techno stomp with deep dubby moves, ankle-twisting breaks and Detroit-style electroid pulsations. If the Serbian-born, New York-based producer’s previous instalments drew a dynamic and coherent, although sometimes monochromatic picture of him as a producer, ‘Esoteric Body Music’ reveals an artist at his most diverse and versatile.