Rich of a multiplicity of listening levels and quite unfathomable deepness, Nuel’s music is creating a unique, alienated intimacy with its listener. For they are so unfettered and carefully textured, it’s fair to say these tracks haven’t finished to drip-feed their penetrating fragrance.
Reviews
Results1353
IORI: Cold Radiance
Cold Radiance is a series of reflections on the nature of space – from the cold to the radiant. It’s a soundtrack like work, which isn’t afraid to show two sides of an idea, the light and the dark, the living and the empty.
Lucy: Self Mythology
If you are looking for anything remotely resembling a dance floor work out, this is mostly not the place. But if you fancy a lysergically drenched folkloric voyage then please come in, brace yourself, and enjoy the journey.
HOLOVR: Trace Realm EP
Jimmy Billingham’s new effort ‘Trace Realm‘ is just as much of an introspective journey as it offers more expressive, outgoing combinations. Brushing a vibrant mosaic brimming with chopped-up keyboard chords and volatile acid-drenched arpeggios, the Rephlex vibe is here and banging, summoning the ghosts of Bochum Welt and Dave Monolith without striking the old-school-savvy pose.
Buttechno: 7
When counting the number of acts that work on throwing off the yoke of lazy, unimaginative 4/4 tropes that plague a good lot of the techno-stamped efforts, the name of Russian producer Pavel Milyakov aka Buttechno obviously comes to mind.
Kilchhofer: Dersu
Marionette’s fourth release arrives from Swiss producer Benjamin Kilchhofer, better known for his work on Holger under the alias Timoka. The sounds of ’Dersu’ derive from modular synth patches and Kilchhofer’s own field recordings, continuing Marionette’s association with idiosyncratic melodies and analogue overtones.
Suzanne Kraft: DJ Safety Track
Be it through soothing atmospheric panoramas or tight-strapped floor-apt beats, the inch-perfect adroitness of Herrera in both the arrangement layering and textural carving will sure leave a memorable mark.
Album Premiere: Damian Schwartz – The Dancing Behavior
‘The Dancing Behavior’ is a lavish and effervescent trip for both the body and mind, equally efficient as a remedy to rainy Sundays and as an offbeat club weapon. Schwartz dishes out a serious treat for the senses.
Jun Kamoda: The Clay EP
This is by no means a shy debut and Kamoda has clearly sought to embody the friendly, funky and hedonistic fervour of a Mister Saturday/Sunday party with three full on bangers all at peak time tempos.
Leon Vynehall: Rojus (Designed To Dance)
The new double 12″ from Leon Vynehall is not an album. Great pains have been gone to ensure this point is chipped into stone, right up to the bracketed ‘Designed To Dance’ subtitle, yet here is Vynehall, levitating like a zen master.
Sentry: Stranger As A Friend
Experiencing an accelerated development since their last couple of outings that confirmed the hopes placed on it with poise and presence, the label keeps the ball rolling with a new effort coming courtesy of the mysterious Sentry.
Globex: Inversia 1
Getting out in the light for the release and release only, this is how Acting Press operates – each offering being delivered as an autonomous piece, existing in and for itself whilst driven by the immediacy of the consecrated in-club experience. A silent process crowned with massive impact.
Tim Hecker: Love Streams
Whether it’s a result of people’s tastes becoming more diverse in the wake of file sharing, or decades of extreme music lowering the threshold of what’s considered ‘a bit too weird’, the outcome is clear. Albums such as Love Streams no longer have to be judged solely by the niche standards of experimental music.
Luca Lozano + Mr. Ho: Visions Of Rhythm
Similar in essence to its ‘Dobb Meep’ and ‘Drip Box’ predecessors, this new three-tracker from the Klasse Recordings pair goes straight for the jugular, dishing out a playful shifting of spacious harmonics and skittish drumwork gone wild.
D.K.: Island Of Dreams
Whilst a major part of the current retro-driven house and electronica sometimes feels like losing itself in vain convolutions, D.K.’s sound certainly offers a way finer rethink of the well-tried recipes he gets to toy with.
Sasha: Scene Delete
This is the forth entry driven from Sasha’s own production desk with no dip in quality. It begs the question; will anyone ever manage to best Coe in this arena. As it stands, all signs are pointing towards “no.”