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Jan Jelinek: Zwischen

Made by and featuring none other than strictly human sounds, warped and deconstructed until it falls in that uncanny valley of dissociative humanism. Jan Jelinek’s latest album ‘Zwischen’ can be considered an exercise in learning to find enjoyment and/or contentment in the intellectual and physical limitations of the human mind and body.

Pablo’s Eye: Spring Break

The 8 tracks here feel assembled as much as arranged, designed as much as composed. Sounds have undoubtedly been picked for their audio quality, but they’ve been layered on the canvass in the way a painter uses colours.

After The Flash Flood: Prairie talks up his latest album on Denovali

With just a few hours to go before prairie’s new album ‘After The Flash Flood’ on Denovali hits the streets, we caught up with Marc Jacobs to discuss his recording process and unique vision. Meanwhile, get a taster with ‘Elephants Will Rise Again’ down below.

Vision & Sound: Kenneth James Gibson talks up ‘In The Fields Of Nothing’ on Kompakt

Two years after his first incursion on Kompakt, Kenneth James Gibson returns with ‘In The Fields Of Nothing’ LP that shines a particularly bright light on the Californian musician’s arresting melange of minutely-crafted instrumentals, lucid vision and deeply immersive electronics, bearing in them both the solar radiance and crucial minerality of his Idyllwild home.

Belong: October Language

Twelve years after its original release, Belong’s debut ‘October Language’ gets it first vinyl pressing courtesy of John Elliot’s Spectrum Spools label. The reissue launches the record into a new context, shedding new light on both its predecessors and what came after.

Music Video: Mr. Eff – Midnight Predator

Still working wonders when associated with ’80s tribute films and series such as the acclaimed TV-show ‘Stranger Things’ – as underlined by Michael Stein and Kyle Dixon’s award-winning OST, this multi-hued mix of cosmic keyboard music and sci-fi indebted imagery is at the heart of Charlie Gerszewski’s short film for Mr. Eff’s ‘Midnight Predator’, which we’re glad to present today.

Mark Pritchard: The Four Worlds

‘The Four Worlds’ feels strange and contextless, a peculiar statement that may seem at first like it doesn’t know what it’s aiming for. Don’t be fooled though, as this bewildered unfamiliarity is an aim in itself. Pulled away from the record and taken as singular statements, any of these eight tracks might not make much sense, but together, they cohere into something weirdly beautiful.