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Daywalker + CF: Supersonic Transport

If, by any chance, you are late to the L.I.E.S. party and have been waiting for the opportunity to jump in…this is the one you have been waiting for. Read these words, listen to the clips, grab your wallet and off you go.

Fort Romeau: Her Dream

From a conceptual standpoint, the material works to induce the familiar sensation one might experience when awaking from a half-forgotten dream, where joy or even pained feelings submerge and break down into something more ambiguous.

Dauwd: Kindlinn EP

Dauwd steps up his game with this EP, moving with ease from more broken rhythms to an ambiant-housey combination without abandoning what made him popular: those catchy, swarming pads and synthlines and that perfect taste in production. Everything is in its right place, emotional and sophisticated.

Mix Tape: Pariah

Ahead of Make Me’s loft party this Saturday with Pariah and Pangaea, we caught up with Pariah to ask him about his approach to playing back to back and if we can expect any new material this year. Pariah has also compiled a 10 track Mix Tape for you to stream.

Mike Dehnert: Lichtbedingt

With this album, Dehnert demonstrates his consistency, switching with finesse from techno to housey patterns, finely sharpening his tunes – quietly delivering one of the best techno albums of the year so far.

Carsten Jost

David Lieske reveals his production quarrels and the intricacies of running both Dial records and his Berlin based art gallery ‘Mathew’. He also discusses Dial’s relationship with White Material Records and the announcement of DJ Richard’s forthcoming solo album expected sometime this fall on Dial.

Mark Henning

We caught up with Mark Henning to discuss his past decade in the scene as well as his recently established record label ‘Swing’. His mix features music from Omar-S, Jus-Ed, ItaloJohnson, Delroy Edwards and Mike Dehnert.

Takuya Matsumoto: Ram EP

Taking inspiration from almost every flavour of house and techno going, the Ram EP often invites external comparisons, yet still defies hard-and-fast classification – a testament to Matsumoto’s singular sound.