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Samo DJ: Kicked Out Of Everywhere

Marrying the impact of gritty technoid rough drafts and well-oiled broken beat nuts and bolts, with more of an atmospheric lean there to implement psychic sideration to the fullest, Samo DJ delivers an ever dynamic assortment of straight up tumbling crescendos and brutal breakdowns.

Various Artists: I Love Acid 10

With previous entries easily selling out their appropriate quantity of 808 copies, this isn’t so much a place to jump in to get acquainted, more a place to get on before you are left behind completely.

Beatrice Dillon / Karen Gwyer

The new Beatrice Dillon / Karen Gwyer split is a study in the ways a track can be pulled apart and reconstructed, a split release that does that rare thing of presenting two artists sonically distinct but somehow connected through concept.

Konx-Om-Pax: Caramel

Tom Scholefield’s music sounds like the work of someone who is used to visual forms of expression; analogue tones distinguish it from his animations which are often characterised by a digital sheen, but the album nonetheless lends itself to an almost synesthetic experience.

Karamika: BAU002

Here we find Karamika continuing their chaotic exploration of raw, obsessive kraut and industrial motifs. Like walking the last corridor to the big boss’ dungeon in a vintage platform game, it’ll leave you both excited to outdo your own egotistic self and afraid at getting back to the real world. Get strange.

Pavel Milyakov: Yalta

A record simultaneously so lo-fi yet well-polished is a rare combination. And it doesn’t feel overthought in the slightest – an organic and impulsive journey to the coast, unplanned and exciting. And considering the creative output Milyakov enjoys while in this unique, pine-blessed region beside the sea – it must be something in the air.

Robert Lippok : Open Close Open

Lippok’s EP was originally released on Raster Noton back in 2001, and receives a deserved reissue on clear wax complete with an additional bonus track. Expectations of 15 year old electronic music can sometimes be low yet Flau’s tasteful choice proves excellent.

Scott Young: Homeless

With just one EP for Sling & Samo’s Born Free imprint under his belt, Scott Young emerged as an intriguing new figure in the house and techno landscape. His two-faced new outing on Berlin-based Discos Capablanca follows the same volatile vein.

Unsound Toronto x Luminato Festival

A wave of furious, dusted-up and dishevelled splendour that came over the Hearn Generating Station in Toronto on the weekend June 10th – as the venerable festival institution Unsound was invited to curate two days worth of programming at a venue that came off as a vast, dystopian wonderland.

Bell Towers: I’m Coming Up

Since the drop of his ‘Lightrail’ EP on Public Possession three years ago, Melbourne-born producer Rohan Bruce aka Bell Towers became a vital player in the Munich family. ‘I’m Coming Up’ makes for his sixth instalment on the label and without a doubt, stands as one of his most accomplished slices to date.

Michal Turtle: Phantoms Of Dreamland

Following their hugely successful 12″ released last year – a sublime slab of proto-house and a fine reintroduction to Turtle’s music – ‘Are You Psychic?’ – the eighties synth exponents of Music From Memory are back with a full-length of unreleased Turtle tracks.

Mr TC: Surf & Destroy EP

If C. R. Stecyk, III once contributed the Dogtown legend by sanctifying the now concrete-cast ‘Skate and destroy’ phrase in his famous article for Thrasher magazine, Glaswegian talent Thomas Lea Clarke aka Mr TC opted for aquatic obliteration with his second instalment for JD Twitch’s Optimo Music.

Whodamanny: Cosmic Morphology

As its title suggests, ‘Cosmic Morphology’ beats the jagged pulse of a transmuting flux, intrepidly rollicking through offbeat, experimental yet groovy fields rather than executing another line of tried-and-tested harmonics.

Hotel Lauer: Lauer & Lauer

Remarkably enough, the music of sibling duo Hotel Lauer has taken a further trancey turn with the ecstasy-seeking ‘Lauer & Lauer’, their first outing on Stuart Leath’s ever-inspired [Emotional] Especial. Sharing a similar cold wave’y approach to synth melodies doped on beefy electro-bass tubes and crisp, compressed kicks, their sound gained a sheer rave energy and magnitude.