Following the release of Aquarian’s ‘The Snake That Eats Itself’ LP in January, Bedouin Records exchange frenetic breaks with emotionally charged ambient with the announcement of
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Phillip Sollmann reveals ‘Monophonie’ LP on A-TON
Next up on Osgut Ton’s avant-garde sub-label A-TON is a microtonal album from Philip Sollmann. ‘Monophonie’ is said to be Sollmann’s progressive venture into different utopian
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Beauty In Darkness: Kyle Bobby Dunn talks up the creative and emotional inspiration behind ‘From Here to Eternity’
Kyle Bobby Dunn’s latest record ‘From Here to Eternity’ is an astonishing insight into the imagination of one of contemporary ambient music’s most singularly gifted artists – We caught up with Kyle to discuss his latest (and possibly final) record, taking an exploratory look into his creative process, and the emotional inspiration behind his work as an artist.
Premiere: Nick Klein + Lack – ii-B2
Two years on since the drop of their debut collaborative effort, ‘EP1‘, US-based producers Nick Klein and Philip Maier alias Lack do it again with ‘ii‘ –
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Premiere: Raymonde – Free Tibet
Treating that of machines’ circuitry as complex organic networks to toy and experiment with, Lyon-based producer Thibaut de Raymond, alias Raymonde, rummages across envelopes and textures
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Jan Jelinek & Asuna: Signals Bulletin
Occupying the parallax between Berlin and Kanazawa, Jan Jelinek and Asuna set their sights on far-off stars, creating over the course of a three year period bright, celestial works whilst remaining thoroughly grounded in deeply human production.
Jimmy Billingham aka HOLOVR releases super limited edition ‘Worlding’ LP
Following his rare live performance last summer at our “Campfire Headphase” stage at Farr Festival 2018 – Indole Records have announced their first release in over
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Deeat Palace: KSX
Taking on her Deeat Palace guise again after releasing her debut extended player on Mind Records in February, Marion Camy Palou returns to treat us to one of her signature stormy, malevolent hybrids of post-apocalyptic atmospheres, bleeding riffs and blazing electronics.
Premiere: Black Merlin – R24
Nearly a year after the release of his latest double package for Berceuse Heroique, tenebrous proto-tech alchemist George Thompson aka Black Merlin turns up again on the London-based
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Premiere: Orlando FitzGerald – A Failed Species
Up to this point in Earth’s seemingly never-ending history, five mass extinctions have hit the planet we call home, including the one that saw dinosaurs become
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Premiere: Heinali – Iridescent
Ukrainian artist and sound designer Oleg Shpudeiko follows up 2017’s epic “Anthem” with a set of equally as beautiful pieces culled from studio improvisations on a modular
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Premiere: Raum – Sakti
Tremendously active over the past decade, Belgian noise producer Yannick Franck has been laying the foundations to a sonic universe better tasted in murky basements with
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Introducing NAHAL Recordings: An in-depth look into In Paradisum’s mystique-imbued sister label
With just a couple days to go until the release of Good Luck In Death’s debut instalment, we caught up with NAHAL Recordings co-founders Paul Régimbeau (Mondkopf) and Frédéric D. Oberland (half of Oiseaux-Tempête) to find out more about the roots and shoots of their new baby. Stream ‘Mystery Malaise And Eternal Spleen’ within.
Still Life / Moving Sounds: A look into Michael Vallera’s sense-awakening music and photography
Draped in ominous atmospheres and rumbling echoes, the work of multi-talented musician Michael Vallera is one of subtle detailing and slow-drip obsessiveness. We caught up with Mike to talk his new full-length on Denovali, living in Chicago and his approach to music and photography.
After The Flash Flood: Prairie talks up his latest album on Denovali
With just a few hours to go before prairie’s new album ‘After The Flash Flood’ on Denovali hits the streets, we caught up with Marc Jacobs to discuss his recording process and unique vision. Meanwhile, get a taster with ‘Elephants Will Rise Again’ down below.
Premiere: Strahinja Arbutina – Sit
An essential component in the steady ascension of Croatian collective low income $quad over the last couple years, Zagreb-based producer Strahinja Arbutina has established as a prime
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