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E-Saggila: My World My Way

Everything about ‘My World My Way’ oozes power, personality, and a massive “fuck you” attitude: you’re in E-Saggila’s world now, and her rule is absolute.

Clark: Kiri Variations

After amassing a discography crammed with ravey goodness, left-field producer Clark turns on a dime to deliver ‘Kiri Variations’, a long-player bearing more similarity to baroque chamber music than anything compiled for a dance floor.

Raving under the Midnight Sun: Solstice Festival 2019

In a world of endless iterations of soulless festivals filled with advertising and mass-marketing, cliches and tired stereotypes, when something like Finland’s brand new festival Solstice emerges you’re a fool not to grab it while it lasts.

Rod Modell: Captagon

Rod Modell’s latest offering, ‘Captagon’, lands on no less than Tresor, and whilst it’s recognisably his work it’s also worlds apart from recent endeavours such as his latest on Astral Industries.

Pataphysical: Periphera

The ever-essential 12th Isle serve some truly peripheral music as the latest addition to their catalogue from live-focussed London trio Pataphysical.

GALA Festival 2019

As London’s nightlife and party scene is increasingly monopolised by the big clubs and big events, it’s important to recognise and support the grass-roots manoeuvres. GALA is a great place to start, and definitely one to keep an eye open for this time next year.

Actress x Stockhausen sin {x} II at The Royal Festival Hall

On the evening of the 14th of May, Actress performed a standardly unique piece of new avant-guard music, a rehash of late classical pioneer Stockhausen’s Welt-Parliament, in no less a venue than The Royal Festival Hall at the National Theatre in London.

Acronym: Mistress of the Copper Mountain

Acronym has long been more than worthy of attention, and now with Stilla Ton further cementing the reputation there’s all the more reason to watch: he has another outlet to release music through.

Gaunt: She’s No Patsy

Not So Much only rears its head occasionally, but each time it pops up with something weirder than the usual fare gripped in its teeth. The latest offering goes to show not only that Gaunt is stepping into stride, but also that Not So Much remains worth keeping an eye out for, however long we have to keep ’em peeled.