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AuthorSimon Whight

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A contributor to a variety of respected online publications, Simon joined the Inverted Audio ranks early in 2013. Bred on mother rave and nourished by the original strains of US house, he is someone who has lived through the first time deep house faced a backlash, the rise and fall of progressive house, and the multiple swings of fashion towards minimal, tech house, bass and beyond. As such, genres are not an important factor in critical appraisal, just good music that can stand on its own two feet. Be it uptempo or downtempo, alien or organic, everything is valid. Emotionless techno, needlessly abstract noise, derivative house and self indulgent muso-ism can all check their feet at the door. Bad taste in hats.
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Ripperton presents Zendama

Compilations are often a funny beast, often lacking in context or consistency. No such accusation can be levelled at ‘Zendama’, with no weak links on show.

Ia Mix 319

Anthony Rother

Electro pioneer Anthony Rother serves up a rare live recording for IA MIX 319 and unveils the intricacies of his monumental studio and live setup in our in-depth interview.

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Sleep D: Rebel Force

Something special seems to be happening on Anthony Naples and Jenny Slattery’s Incienso imprint. While there is little committed to the internet in terms of label ethos–very much ‘a let the music do the talking’ approach–there is certainly a strong synergy amongst a diverse set of releases.

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Frag Maddin: Mistress 13

Mistress 13 is a delightfully sprightly session on a label that has often been dusty and understated in tone.

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Albrecht La’Brooy: Healesville

‘Healesville’ is pitched as an album to soothe the soul in troubled times and it undoubtedly meets its ambitions. It is the pause button for modern life, an essential piece of augmented reality that rubs at the fraying caused by every day anxiety.