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Tom Hang: To Be Held In A Non-Position

Jimmy Asquith is best known for heading up the suite of Lobster Theremin labels, it’s distribution arm, and its fledgling London based record store. Just recently, he has started to make himself known as a producer in his own right, rolling out an EP and archive out-takes releases under the moniker Tom Hang. Now, following these initial exploratory expeditions, is his debut album ‘To Be Held In A Non-Position’.

J.C. & Kastil: No Spiritual Surrender

One thing’s sure, these two experienced individuals understand both the business and production facets of underground music and it clearly shows in all aspects of this new LP: the tracks span a multitude of genres, each of them made with a specific purpose in mind. A work of true professionals one would say.

Emra Grid: Shay’s Vacation House

Shay’s Vacation House isn’t always a pleasant stay, yet there is something compelling about it, like tonguing an ulcer to feel the rush of pain and withdrawing only to feel the throb beckoning you back for another prod.

Campfire Headphase: Sad City talks up his upcoming live sunrise set at Farr Festival 2017

Responsible for one of last year’s most strikingly beautiful ambient albums, Sad City talks up debuting his new live set at our Campfire Headphase stage at Farr Festival and goes into his working relationship with Emotional Response founder Chuggy and Nick Williams, head of R&S Records sub-label Meda Fury, which led to the release of ‘Shapes In Formation’.

Various Artists: Moon Rock Volume 4

Moon Rock Volume 4 is possibly the best chill out compilation you can get that is also committed to vinyl. Eternally comfortable to just slip into, it befits chilly early mornings as much as it does a hazy afternoon.

Ashes To Ashes: Verge talks up debut EP for Avian ‘Emblematic Ruin’

Avian are on the cusp of releasing their next instalment, an eight-track drone/dark ambient affair courtesy of Irish newcomer Andre Gough aka Verge. Titled ‘Emblematic Ruin’, Gough’s debut makes for a compelling break from 4/4 functionality and other beaconed, trussed-up audio terrains.