“Many albums have been described as “balanced”, and this one thoroughly earns the description” Editions Mego are on a winning streak. Fresh after releasing an ambient
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GenreElectroacoustic
Results74
Tickets: Arch 0.2 with Magna Pia, Mattheis, Merrin Karras, Maryisonacid at Prince Charles
===SOLD OUT=== On Wednesday 16 September, Magna Pia, Mattheis, Merrin Karras and Maryisonacid explore experimental, minimalism and avant-garde music at Prince Charles in Berlin. Magna Pia,
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Tickets: Arch 0.1 with BNJMN, Inland, Jamaica Suk, Monty Luke at Prince Charles
On Wednesday 19 August, Bnjmn, Inland, Jamaica Suk and Monty Luke explore experimental, minimalism and avant-garde music at a new series of live electronic concerts hosted
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Premiere: Rabih Beaini – Circle
Up next on Tokyo via Berlin-based experimental platform REITEN is ‘ENSō 2020′ – a compilation showcasing the diverse cast of musicians that were set to perform
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Odin Kaban: Wind In My Veins
“Wind In My Veins demonstrates some of the most accomplished products of Kaban’s endeavours into exploring this boundary line, where kinetic energy meets synthetic vibrancy.” ‘Wind
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Kilchhofer Anklin: Moto Perpetuo
‘Moto Perpetuo’ tends to blur the lines between musical composition and studio production. By crafting pieces that rely on the entire stereo field, Kilchhofer Anklin rewards close listening.
Terre Thaemlitz utilises Bandcamp for old ambient and electroacoustic releases on Comatonse
In a surprise move Terre Thaemlitz has curbed her strict stance against going digital by establishing a Bandcamp page for Comatonse Recordings. Originally founded in 1993
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Jenus
Ahead of HER DAMIT and the debut edition of 7001 Festival this summer in Germany, we caught up with former Ostgut Ton label manager Jenus Baumecker-Kahmke to learn more about his musical heritage, love of vinyl and his involvement with the music and art world in London and Berlin. Jenus’ mix is a deep sonic journey into the realms of ambient and electro-acoustic music.
Vision & Sound: Kenneth James Gibson talks up ‘In The Fields Of Nothing’ on Kompakt
Two years after his first incursion on Kompakt, Kenneth James Gibson returns with ‘In The Fields Of Nothing’ LP that shines a particularly bright light on the Californian musician’s arresting melange of minutely-crafted instrumentals, lucid vision and deeply immersive electronics, bearing in them both the solar radiance and crucial minerality of his Idyllwild home.
Kilchhofer: The Book Room
‘The Book Room’, Kilchhofer’s new collection of modular synth jams, takes us through dreamy panoramas of tropical exotica, alpine warmth and moonlit glades with plenty of highlights to spare along the way. Over a monolithic 74 minutes and 20 songs, this ecocentric debut album demands an immersive, uninterrupted listen.