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Nick Williams on Meda Fury

We caught up with Meda Fury label boss Nick Williams to discuss the roots of the R&S Records sub-label and how he perceives the label growing in the near future.

Best Record Labels of 2014

From experimental to club extents, soft-tempered house material to the murkiest of techno beats and grooves, the following selection is aimed to provide you with the finest record labels of 2014.

Best Albums of 2014

Vanguard, dark, excessive, fun, bold, touching, innovative, game-changing…it’s time for us to announce our album of the year.

Best Music Videos of 2014

We’ve selected a compendium of 2014’s best music videos, from delicate and hypnotic visuals to dark atmospheres, the videos we’ve selected give you a glimpse of the large range of audio-visual combinations we had the fortune to watch this year.

Best Tracks of 2014

2014 has been a year of outstanding releases. From first order, accomplished musicians to new coming talents, it’s time for us to unveil the best tracks of the year.

Barnt: Magazine 13

Barnt’s debut LP is not funny-sounding, it’s not barely cool or assuming any particular stance towards today’s music industry. No, this is nothing of that but most certainly, this album is a subtle game-changer and hopefully, a matrix opus.

Top Tracks: November 2014

Before the year comes to an end, we’re up for a last round of our monthly top tracks selection.

Les Sins: Michael

Michael is a solid release but still Chaz Bundick’s weakest to date. It needs to be said the palette of sounds on the album is very rich…yet as a whole the album feels a bit mundane and tends to lose momentum.

Recondite on Iffy

Following the release of Recondite’s third album last month, we caught up with Lorenz Brunner to find out more about the concept behind the album, artwork, music video and relationship he has with Ame, Dixon and the rest of the Innervisions crew.

Kero’s Clustering Imaginarium

Kero opens up about her background in illustration, her love for Xerox printed underground party flyers, her role as the in-house illustrator for Life and Death, plus her insatiable appetite for electronic music.