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Tim Hecker: No Highs

“Throw caution to the wind, and dive head-first into the horrors of reality, for Tim Hecker’s No Highs is not an album that encourages passive listening”
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Andrea: Due In Color

“Andrea paints textures of rhythmic solace embedded within glimpses of blooming fields that instil a newfound feeling of hope” In its submerging surreal ambience, Andrea‘s second
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Vril: Animist

“Vril hones in on a dub techno styling that fuses old school Echospace/ Basic Channel minimalism and progressive house to great effect” At its best, dub
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Nathan Fake: Crystal Vision

“Palpable energy splintering into an elemental glimmer – a testament to Nathan’s ability to continually push the boundaries of his sound to create something unique” As
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Kassem Mosse: Workshop 32

“Dive deep and Workshop 32 is a stripped-back boundary-pushing affair, paired with a melancholic twist” As the stonks flew over the Pudgy Penguins nest, and the
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Mogwaa: A Garden Inside

“Mogwaa’s top notch production instincts and sensibilities are on full display from start to finish” Five years since his inaugural release, South Korean producer Seungyoung Lee
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SW.: okALGORYTHM

“Stefan Wust uses this album to invite you to step out of the algorithm and let his human-curated experience bring you deeper into his psychedelic blend
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Ben Kaczor: Petrovo Uho

“Petrovo Uho isn’t rigid, it is taut” ‘Petrovo Uho’ – the second album by Swiss talent Ben Kaczor – is all about tension. In particular, there
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Eversines: New Place

“Undulating waves of synths, acidic crests, twinkling arpeggios, an urging bassline – everything here works in harmony” Observing evolving trends over the course of the months
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Ludwig A.F.: Air

“The approachability of ‘Air’ begs you to form your own personal connection. You may not find yourself in the mountain range of Taunus as you do
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MPU101: MPU102

“While the intrigue around the artist continues, so does the quality of their output” We were big fans of last year’s release from MPU101 on Ilian
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