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Kritzkom: Void Minus Matter

Deftly maneuvering her way in and around tangled leftfield motifs and further well-beaconed techno grounds on her new album for Seagrave, Kritzkom weaves minimalistic scales of oddball machinic spurts and clinical-precise metronomic grooves within a widespread gamut of stark post-industrial synthscapes and other deep-and-steep subductive layers.

Ashan: Air & Ether

Meditative and intensely immersive, solar and vibrant, Ashan’s debut for Elestial Sound – ‘Air & Ether’ – couldn’t be more aptly-named with its vaporous complexions and sedative attraction, casting a spell on you the second you press play. Just as spirited and enchanting on play as it is remains inspiring and haunting once the sound is off.

Phil Struck: Klint

If LL.M.’s first three releases ploughed a more “regular”, club-ready furrow with some outstanding contributions from Berlin’s favourite Annanan, Phil Struck’s ‘Klint’ makes for a massive bend towards antimusic and concrète realms that won’t fail at surprising those who expected the Münster-via-Berlin based imprint to stick to the tried-and-tested 4/4 recipes.

Various Artists: Dawn Records Various Artists #1

After a string of boundary-pushing releases on both digital and 12″ formats, Parisian label Dawn Records deliver a polyamorous jumble of machine-based music for literally anyone keen on transcendental trips and off-the-leash audio deconstructivism.

Belisha Beacon: This Is Fine

Belisha Beacon’s ‘This Is Fine’ forgoes esoteric sampling and analogue fetishism to revel in the code and wires of its creation. Instead of descending into grain tinged nostalgia or tech’d up futurism, the five track set exists in the fundamental principles of computer music – using entry level software to live code an ever shifting tapestry of minimal techno.