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Ulla Straus: Big Room

‘Big Room’ is a small but perfectly formed moment that can’t fail to brighten your mood, a 30-minute flash of light-hearted joy to touch even the crankiest among us.

Mana: Seven Steps Behind

Seven Steps Behind has just the right level of bizarreness that infatuates rather than repulses and it’s that’s fickle balance between order and chaos, beauty and ugliness that make it so intriguing.

Anna Funk Damage: Here Right Now

Here donning his new alias, Anna Funk Damage, for the very first time, Andrea Natale gives birth to a menacing sound imaginarium attired with the kind of nightmarish finery you’d expect to find bordering on Freddy Krueger’s lair on a Friday the 13th.

Dungeon Rap: The Introduction

Ever wondered what Memphis Horrorcore might sound like if it were wrenched out of the Deep South, dragged through the gutter to a Scandinavian doom metal gig and spat out in a modern day industrial estate in Eastern Europe?

Sonmi451: Nachtmuziek

Continuing their reign of solid releases, the label stride onto their 13th with a rare new recruit in the form of Belgian producer Sonmi451.

Fennesz: Agora

Electronic extraordinaire Fennesz supplies four operatic cuts for the Touch label with “Agora”, a rare solo foray by the artist, constructed from what hardware was to hand in his bedroom.

Shlohmo: The End

Shlohmo’s third album is an elevation of his mood-driven beats from beyond the realm of introspective headphone listening, to a level of gravitas and urgency that demands a larger space than your skull to reverberate into.