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Gigi Masin: KITE

KITE is simply an album that doesn’t need to do anything beyond exist in its own little vacuum; it isn’t a profound new age revelation, but it’s great because it doesn’t try to be.

Rezzett: Rezzett

After a string of well-received EPs on The Trilogy Tapes that’s seen them forge an eccentric signature sound halfway lo-fi analogue house and cask-aged breakbeat vintage, the pair was yet to hit the full-length format and to be honest, they managed to come up with an album both articulate and rejoicingly bleary.

Imre Kiss: Strangers

The Hungarian producer’s new offering on Lobster Theremin’s sister-label Mörk doesn’t depart from this lovingly crafted inclusive vision. There is something deeply kindly about Imre’s sound, something that transcends the mere moody nature of a track, emanating straight from deep down his soul and into his subtle electronics via some intangible process. A good man making good music.

Brett Naucke: The Mansion

In the four years since ‘Seeds’, his debut full length, Brett Naucke has produced a slew of cassette releases that have seen his music drift into a vivid, synthetic esotericism. Constantly in flux between ambient beauty and a cracked electronic reality, ‘The Mansion’ is new age music for the era of biometrics and online dating.