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Vester Koza: loader mither

Vester Koza’s debut album on Houndstooth takes an intriguing look back over the nineties dance music scene. You may not think that statement alone is particularly unusual, however the IDM slant of ‘loader mither’ sets itself apart from other retrospectively minded works that mine the strait-laced tropes of the era.

Objekt: Cocoon Crush

‘Cocoon Crush’ pushes the boundaries of experimentation even further than his previous releases did, and that without ever falling in self-referentialism or redundancy. Speaking of what goes on across ‘Cocoon Crush’ may be quite a challenge at times for the reason that – as happens with the most futuristic forms of art – what’s on display here is new to the extent that a new lexicon would be required.

We will fail talks dancing and avoiding the club scene altogether

We caught up with Polish producer and graphic designer We Will Fail ahead of her performance at Unsound Festival 2018 to dig a little deeper into what brought upon this unique sense of ‘self’ into her work. In addition we are happy to present a track premiere from the album, “Put Your Hands Up In The Air”.

Posthuman: Mutant City Acid

Posthuman deliver some of their finest work to date with ‘Mutant City Acid’ LP. Created as a soundtrack to a mythical dystopia called New Reno City, the album is replete with nods to ’80s and ’90s computer gaming and sci-fi including Fallout, Bladerunner and Ian M. Banks.

System: Plus

Morr Music serve up a gorgeous collaboration between Danish electronic trio System and German composer Nils Frahm. With a focus on deep, pensive atmospherics, ‘Plus’ is a widescreen cinematic journey of an album with elegant, organic electronics as perfect accompaniment to Nils’ keyboard work.

Kelly Moran: Ultraviolet

Music has the ability to become a living, breathing creature of extraordinary beauty – something Kelly Moran has absolutely achieved here in her first album for Warp Records. Highly recommended!