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Premiere: Sad City – Smoke

Gary Caruth’s debut solo album as Sad City, released on July 29th via Emotional Response and Meda Fury, makes for a particularly enticing journey into the producer’s elegiac post-urban universe, allowing his supple blends of ambient and breathable electronica to fully develop. Stream the brightly-hued ‘Smoke’ within.

Konx-Om-Pax: Caramel

Tom Scholefield’s music sounds like the work of someone who is used to visual forms of expression; analogue tones distinguish it from his animations which are often characterised by a digital sheen, but the album nonetheless lends itself to an almost synesthetic experience.

Video Premiere: Morkebla – ASFR Lover

Drawing its title from sci-fi author William Gibson’s Sprawl Trilogy, Morkebla’s ‘Ono-Sendai Cyberspace’ is an album that operates on the fringes of futurism and nostalgia, synthesizing leftfield techno try-outs and gunmetal ambient vistas from a demiurgic perspective.

Klara Lewis: Too

Shifting from stark ambience to unsettling rhythms, Lewis has taken familiar sounds and experiences, and turned them into something completely her own.

Space Dimension Controller talks up “Orange Melamine”

Space Dimension Controller’s latest album “Orange Melamine” was recorded entirely on VHS tape during his teens in his brothers room, no less, the Irish cosmonaut answered some of our questions about the album and the dimension he’s headed in.

James K talks up “PET”

Ahead of the release of James K eagerly-awaited debut long-player “PET”, we took the chance to find out more about her creative modus operandi and the symbolisms at work behind the album plus her long-haul artistic evolution.

Tim Hecker: Love Streams

Whether it’s a result of people’s tastes becoming more diverse in the wake of file sharing, or decades of extreme music lowering the threshold of what’s considered ‘a bit too weird’, the outcome is clear. Albums such as Love Streams no longer have to be judged solely by the niche standards of experimental music.

D.K.: Island Of Dreams

Whilst a major part of the current retro-driven house and electronica sometimes feels like losing itself in vain convolutions, D.K.’s sound certainly offers a way finer rethink of the well-tried recipes he gets to toy with.