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GenreElectronic

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EMG

Ahead of EMG’s second release on The Trilogy Tapes, Emanuele Giannini contributes one of his rare mixes showing off his expertise in building up meditative journeys – starting from a long introspective opening, focused on ambient sounds, before circling into a series of captivating house grooves.

GAS: Box

GAS is a project in flux, appropriately matching the ethereal nature of the music itself, and with this latest effort Kompakt have created a refined take on Voigt’s grand vision.

Broshuda: Ooze Vector

Just as he does toy with shapes and structures through retro-laced, post-pop and graffiti-imbued collages, Broshuda has developed a sound that is steadily mutating from a certain ‘figuration’ to increasingly abstract forms. Moving from more calibrated formats to anti-normative fields of experimentation, ‘Ooze Vector’ is a striking example of this substantial evolution.

Les Graciés: Low Doses

Veiled under the name of Les Graciés, Paris-based sound artist Gaël Segalen and half of the Deepblak core Afrikan Sciences break down cultural barriers to pull an unique and cohesive output off their own singular heritages. After honing their skills for four years the pair is eventually taking the leap of releasing their longed-for debut joint effort ‘Low Doses‘, due out on Lindsay Todd’s Firecracker Recordings on 25th October.

Beatrice Dillon: Contrasting Patterns

After her performance at the first iteration of the Cairo edition of Masafat Festival on 20th September 2016, we took the chance to find out more about what makes Beatrice Dillon tick, her creative process and composition methods.

Baleine 3000: The Nap

This EP – or whatever you want to call it – is indicative of Vlek’s deconstructive/reconstructive spirit. The Nap is a product fusing just about every beloved vinyl-based format: Its 7 tracks gives the sense of an LP, the 20-minute duration suggests otherwise, and an 8-minute track on the entirety of the B side whiffs strongly of a 12” single.