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Kilchhofer Anklin: Moto Perpetuo

‘Moto Perpetuo’ tends to blur the lines between musical composition and studio production. By crafting pieces that rely on the entire stereo field, Kilchhofer Anklin rewards close listening.

Gunnar Haslam: Cacique De Poyais

What links and unifies so many of Haslam’s releases, including this one, is the ability to cultivate hypnotism – an ethos that has resonated throughout the catalogue of Delsin over the years.

OL: Dismeteo

Russian producer Ol steps up on LA-based imprint Motion Ward with seven deeply absorbing tracks that ride the line between ambient and dub techno, creating a coherent microverse of leftfield electronics.

Bambounou: Whities 021

‘Whities 021’ in its effervescent minimalism and steadiness is more meditative and regular compared to some of Bambounou’s quirkier, flashier and club-ready works, a kind of surprising and counterintuitive move considered that Whities is certainly not a label afraid of pushing the boundaries of experimentation.

Adam Emil + Slim Hustla: Travellers EP

Following Harrison BDP’s and Jesse Bru’s excellent extended players on Piff Records, Bristol-based imprint shines again courtesy of Adam Emil and Slim Hustla arriving in fine style contributing the label’s fifth release.

B-Ball Joints: Glass

Two years on since the release of his debut LP as B-Ball Joints on PRR! PRR!, which broke all kinds of fences between frantic proto-tech analogue-isms and muscular EBM motifs, Hallais puts on his lesser-known guise again with ‘Glass’, due out in March on the ever bold and ambitious Mind Records.

King Midas Sound: Solitude

This record is the antithesis of glamourized pop abstractions about romance that don’t hold true today, if they ever did. This is, the turning of a man inside out.

Code Walk: Distance

Code Walk’s latest EP disrupts this notion of monosyllabic representation over six tracks of varying emotion, energy and attitude.

Stanley Schmidt: Smart Replies

Released on his and DJ Boring’s imprint Vienna, the record is a formal expression of Schmidt’s creative acumen and a continuation of his flirtation with the golden sounds of yesteryear.

Mikron: Severance

‘Severance’ is an accomplished and compelling listen, exploring twilight territories set in both the past and future, a technique Mikron have perfected here. Once again, that black and white logo and the brothers Corcoran deliver the goods.

Hoover1: Hoover1

Once more touching on the sounds of UK hardcore (most recently via his EP on XL Recordings as the Higher), the amorphous but distinguishable stylings of Shedism are presented to us in a new light.

Lee Gamble: In A Paraventral Scale

‘In A Paraventral Scale’ is the first part of ‘Flush Real Pharynx’, a triptych being released via Hyperdub throughout 2019, accompanied by a new audio-visual live show. According to Gamble, the work is a “sonic documentary”, aiming to explore the “three stages of the Semioblitz” – the aggressive onslaught of visual and sonic stimuli of contemporary cities and virtual spaces.

Silk Road Assassins: State Of Ruin

Silk Road Assassins have unlocked the inherent but underused therapeutic properties of trap and grime production, refined to the point of purity and elevate their value to the point of becoming music that can sit comfortably alongside any contemporary sub-genre of electronica.