fbpx
Search and Hit Enter

SZCH: Learning To Cope

A key element of on-the-rise Croatian collective and label low income $quad, SZCH gained further exposure last year with the drop of his fantastic ‘Untitled’ EP on Ron Wilson’s 777 sub-label LLL – notably charted by the ever choosy and discerning Objekt. Busy as ever, Filip strikes back with a shape-shifting funky four-tracker for UK based imprint Departures. Lush as it gets.

Leandro Fresco & Rafael Anton Irisarri: La Equidistancia

Leandro Fresco and Rafael Anton Irrisari ’La Equidistancia’ released on Ryan Griffin’s A Strangely Isolated Place imprint is ambient of the most epic kind – with layer upon layer of undulating sound. A delicately unfurling liminal hinter world at times as cold as the cover art, at others warm and embracing.

Solitary Dancer: Dualism

Montreal duo Solitary Dancer return with a vengeance on the continually gratifying Dark Entries, giving full vent to their sleek and sensual blends of cold wave-imbued synth melodies, neo noir ambiences and fast-flowing electro dynamics over three plus one full-on floor burners of the finest standards.

Nocow: Ledyanoy Album

Stylistically complex albums can be difficult to pull off. Ledyanoy Album – roughly translated as ‘Album Made Of Ice’ – spans house, techno, experimental, ambient and everything in between, but it continues to ask why this can’t be the case, when one pervading mood so cleverly invites us to look upon the album as a whole.

Tom Demac: Sink Or Swim

Walking the line of techno and deep house notoriously, Tom Demac’s array of production can go from the soulful grooves and melody that turn a dusty warehouse into saving Grace, but more importantly he’s got the rare capacity to flip the script, energizing crammed rooms into blissful mania. Hype man ting wha wha.

Phil Struck: Klint

If LL.M.’s first three releases ploughed a more “regular”, club-ready furrow with some outstanding contributions from Berlin’s favourite Annanan, Phil Struck’s ‘Klint’ makes for a massive bend towards antimusic and concrète realms that won’t fail at surprising those who expected the Münster-via-Berlin based imprint to stick to the tried-and-tested 4/4 recipes.

Piezo: Lume EP

Milan born-and-raised producer Piezo – who unsurprisingly lived a few years in Bristol before returning to Italy – steps up with the motley ‘Lume EP’, a three-track plate where Kowton’s pared-down structural formula meets the shuffling grind of vaporous deep house and borderline abstractness of dubby riddims and drone’y meanderings.

Objekt: Objekt #4

Both tracks introduce themselves eagerly, like a knock at the door followed by “can you come out and play?” In response, you can’t help but hurriedly pull on a pair of trainers and fly outside with laces flapping in the wind.

Sordid Sound System : Fear Eats The Soul

Green Door Studio co-owner and engineer, Stuart Evans, resurfaces his Sordid Sound System moniker for another belter of an EP via Glasgow based Invisible Inc. ‘Fear Eats the Soul’ takes us on a global trip as a concept EP made of “four imaginary bands from Detroit, New York, Paris and Munich”. And the results are as rich in history as they are a satisfying listen.

Varg: Nordic Flora Series Pt.3: Gore-Tex City

Nordic Flora Series Pt.3: Gore-Tex City is one of Varg’s most approachable albums to date, yet, it never fails to sound as genuine as you could expect. Given the fact the record is more than seventy minutes long, it is quite an achievement.

Views: Godspeed Dancefloor

‘Godspeed Dancefloor’ is infectious. From the off, it is pure dopamine and far from an MSG laden guilty indulgence. January has been dry in many regards but we have the first big hitter of the year right here. Don’t let it slip under your radar.

Various Artists: Dawn Records Various Artists #1

After a string of boundary-pushing releases on both digital and 12″ formats, Parisian label Dawn Records deliver a polyamorous jumble of machine-based music for literally anyone keen on transcendental trips and off-the-leash audio deconstructivism.

Belisha Beacon: This Is Fine

Belisha Beacon’s ‘This Is Fine’ forgoes esoteric sampling and analogue fetishism to revel in the code and wires of its creation. Instead of descending into grain tinged nostalgia or tech’d up futurism, the five track set exists in the fundamental principles of computer music – using entry level software to live code an ever shifting tapestry of minimal techno.

Oni-Ki: Darkness Light Darkness

Already being championed by the likes of Midland, Onirik’s collaborative project with Minoki puts Garage Hermetique firmly on the map with its stunning second release.