After amassing a discography crammed with ravey goodness, left-field producer Clark turns on a dime to deliver ‘Kiri Variations’, a long-player bearing more similarity to baroque chamber music than anything compiled for a dance floor.
AuthorFreddie Hudson
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Broken English Club: White Rats II
‘White Rats II‘ is a definitive statement, startlingly individual, and another brick in Oliver Ho’s formidable wall of musical output
Raving under the Midnight Sun: Solstice Festival 2019
In a world of endless iterations of soulless festivals filled with advertising and mass-marketing, cliches and tired stereotypes, when something like Finland’s brand new festival Solstice emerges you’re a fool not to grab it while it lasts.
Premiere: Lena Andersson – After 88 Years
Lena Andersson isn’t real. A fictitious pseudonym created by Japanese Kyoka and Irish producer Eomac, the project was borne from an inspiring session sharing a Buchla
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Rod Modell: Captagon
Rod Modell’s latest offering, ‘Captagon’, lands on no less than Tresor, and whilst it’s recognisably his work it’s also worlds apart from recent endeavours such as his latest on Astral Industries.
Caustic Portraiture: Broken English Club talks ‘White Rats II’
With the imminent release of ‘White Rats II’, Broken English Club’s latest LP on L.I.E.S, we caught up with Oliver Ho to discuss his drives and inspirations, plus art, constantly facing forward and his approach to performing live.
Pataphysical: Periphera
The ever-essential 12th Isle serve some truly peripheral music as the latest addition to their catalogue from live-focussed London trio Pataphysical.
Solstice Festival 2019
Solstice is a boutique music and arts festival taking place on top of Ruka, a fell in northern Finland whose usual role as a ski resort
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GALA Festival 2019
As London’s nightlife and party scene is increasingly monopolised by the big clubs and big events, it’s important to recognise and support the grass-roots manoeuvres. GALA is a great place to start, and definitely one to keep an eye open for this time next year.
Actress x Stockhausen sin {x} II at The Royal Festival Hall
On the evening of the 14th of May, Actress performed a standardly unique piece of new avant-guard music, a rehash of late classical pioneer Stockhausen’s Welt-Parliament, in no less a venue than The Royal Festival Hall at the National Theatre in London.
Acronym: Mistress of the Copper Mountain
Acronym has long been more than worthy of attention, and now with Stilla Ton further cementing the reputation there’s all the more reason to watch: he has another outlet to release music through.
Gaunt: She’s No Patsy
Not So Much only rears its head occasionally, but each time it pops up with something weirder than the usual fare gripped in its teeth. The latest offering goes to show not only that Gaunt is stepping into stride, but also that Not So Much remains worth keeping an eye out for, however long we have to keep ’em peeled.
Alessandro Adriani: Morphic Dreams
Following from the ‘Embryo’ EP, Adriani unleashes his full album, delving deeper into the conceptual constructs introduced on the precursor with analogue formations blessed by Adriani’s highly developed taste for pace and friction.
Mani Festo + LMajor: Club Glow Vol.2
Borai & Denham Audio crack open the neon “Club Glow” tin for the sophomore release – this time Mani Festo and label family LMajor turn in a full albums-worth of material each, burning up each side of the tape with the same energy as that which set the debut on fire.
No Moon: Where Do We Go From Here?
Manchester’s No Moon is tapped for 3 innovative cuts of electro-infused floor shakers on a hyper-relevant disc for 2019’s sound; a tasteful amalgam weaving restlessly between deep house, acid, breakbeat and electro.
Varg: Sky City Part 1 & 2
Varg clearly remains one of the standout producers around today, regardless of his chosen field of action. ‘Sky City’ is just another (thoroughly well-executed) underlining of this – a flourish or a stark challenge to those treading the beaten-down path.