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Leon Vynehall: Rojus (Designed To Dance)

The new double 12″ from Leon Vynehall is not an album. Great pains have been gone to ensure this point is chipped into stone, right up to the bracketed ‘Designed To Dance’ subtitle, yet here is Vynehall, levitating like a zen master.

Tim Hecker: Love Streams

Whether it’s a result of people’s tastes becoming more diverse in the wake of file sharing, or decades of extreme music lowering the threshold of what’s considered ‘a bit too weird’, the outcome is clear. Albums such as Love Streams no longer have to be judged solely by the niche standards of experimental music.

Sasha: Scene Delete

This is the forth entry driven from Sasha’s own production desk with no dip in quality. It begs the question; will anyone ever manage to best Coe in this arena. As it stands, all signs are pointing towards “no.”

Anna Homler and Steve Moshier: Breadwoman & Other Tales

First released in 1985, the collaboration between conceptual artist Anna Homler and experimental composer Steve Moshier took a piece of performance art out of the gallery and translated it to a permanent, universal medium.

Guy Andrews: Our Spaces

“Our Spaces” is absurdly crammed with powerhouse belters, of blistering and emotive electronic music, of tentative air and formidable listening. In its entirety, Guy Andrews has created a perfect mix of otherworldly techno and distorted post-rock, strewn together then torn right back up again, a palpable irony against the laws of electronic music, that works so, so well.

Sinner DC: MEG/CDG

Minus the overbearing concept surrounding it, MEG / CDG presents itself as a solid if not spectacular point of continuation in Sinner DC’s fairly extensive discography.