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Roman Flügel: All The Right Noises

With a brave title like ‘All The Right Noises’, Roman Flügel’s third album for Dial should be hitting All The Right Buttons. The good news is that after, at least, twenty listens we’ve struggled to detect a wrong noise. All of it seems very right indeed. It’s so right that we think this is likely Flügel’s best work yet.

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Premiere: 99LETTERS – Neo Life

Launched ealier this year with a rather massive debut courtesy of Dutch electro crack DJ Overdose, Budapest-based outlet Dalmata Daniel continue their exploration of wide-angle sonics and supple floor-oriented material with a new instalment from Japanese producer 99LETTERS. Over
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Pangaea talks up ‘In Drum Play’

Marking his return to Hessle Audio with the release of his first awaited long-player, we caught up with UK-based producer Pangaea to discuss his album writing process and his relationship with Hessle Audio.

Broshuda: Ooze Vector

Just as he does toy with shapes and structures through retro-laced, post-pop and graffiti-imbued collages, Broshuda has developed a sound that is steadily mutating from a certain ‘figuration’ to increasingly abstract forms. Moving from more calibrated formats to anti-normative fields of experimentation, ‘Ooze Vector’ is a striking example of this substantial evolution.

Shifted: Appropriation Stories

Appropriation Stories is one of the top Shifted works to date – providing everything fans and new listeners could want out of a techno album, while not trying to vacillate between the dancefloor and a headphone listen. It has terrific balance, exudes confidence and packs a mean punch with silk sheets surrounding it.

Les Graciés: Low Doses

Veiled under the name of Les Graciés, Paris-based sound artist Gaël Segalen and half of the Deepblak core Afrikan Sciences break down cultural barriers to pull an unique and cohesive output off their own singular heritages. After honing their skills for four years the pair is eventually taking the leap of releasing their longed-for debut joint effort ‘Low Doses‘, due out on Lindsay Todd’s Firecracker Recordings on 25th October.