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Vision & Sound: Kenneth James Gibson talks up ‘In The Fields Of Nothing’ on Kompakt

Two years after his first incursion on Kompakt, Kenneth James Gibson returns with ‘In The Fields Of Nothing’ LP that shines a particularly bright light on the Californian musician’s arresting melange of minutely-crafted instrumentals, lucid vision and deeply immersive electronics, bearing in them both the solar radiance and crucial minerality of his Idyllwild home.

Belong: October Language

Twelve years after its original release, Belong’s debut ‘October Language’ gets it first vinyl pressing courtesy of John Elliot’s Spectrum Spools label. The reissue launches the record into a new context, shedding new light on both its predecessors and what came after.

Music Video: Mr. Eff – Midnight Predator

Still working wonders when associated with ’80s tribute films and series such as the acclaimed TV-show ‘Stranger Things’ – as underlined by Michael Stein and Kyle Dixon’s award-winning OST, this multi-hued mix of cosmic keyboard music and sci-fi indebted imagery is at the heart of Charlie Gerszewski’s short film for Mr. Eff’s ‘Midnight Predator’, which we’re glad to present today.

Mark Pritchard: The Four Worlds

‘The Four Worlds’ feels strange and contextless, a peculiar statement that may seem at first like it doesn’t know what it’s aiming for. Don’t be fooled though, as this bewildered unfamiliarity is an aim in itself. Pulled away from the record and taken as singular statements, any of these eight tracks might not make much sense, but together, they cohere into something weirdly beautiful.

Rezzett: Rezzett

After a string of well-received EPs on The Trilogy Tapes that’s seen them forge an eccentric signature sound halfway lo-fi analogue house and cask-aged breakbeat vintage, the pair was yet to hit the full-length format and to be honest, they managed to come up with an album both articulate and rejoicingly bleary.