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Anenon: Tongue

Start to finish, from the chord changes to the building rhythms, the field recordings to the trickle of keys, Anenon is giving us something here that’s elevated, personal, raw… Tongue is regenerative.

Isorinne: Speechless Malison

‘Speechless Malison’ is a deeply textural experience. Although this should be no surprise to followers of Michel Isorinne’s works to date. If your wallet can suffer a small additional amount of thinning in this post festive season, dive in. For this is arguably his finest creation to date.

NSRD: Workshop For The Restoration Of Unfelt Feelings

Although not explicitly protest music, the very existence of NSRD was an act of defiance, their bold experimentation a franticly impassioned attempt to assert identity. Listening now, the 1980s context is not obviously apparent, but the strive for individuality comes through in amazing clarity.

Tom Hang: To Be Held In A Non-Position

Jimmy Asquith is best known for heading up the suite of Lobster Theremin labels, it’s distribution arm, and its fledgling London based record store. Just recently, he has started to make himself known as a producer in his own right, rolling out an EP and archive out-takes releases under the moniker Tom Hang. Now, following these initial exploratory expeditions, is his debut album ‘To Be Held In A Non-Position’.

In Focus: Errorsmith dissects ‘Superlative Fatigue’

Following the release of his album on PAN, we met up with Errorsmith in Neukölln for a face-to-face interview and photo shoot, as we looked to find out more about the making of his stunning album Superlative Fatigue.

Bibio: Phantom Brickworks

Recently prone to immaculately produced ’80s smooth jams (The Serious EP) we must admit that it’s with a touch of trepidation that we fire up “Phantom Brickworks”, Bibio’s latest long player on Warp Records. However, true to form, Wilkinson surprises with an about turn focus on deeply pensive and emotive ambience.