fbpx
Search and Hit Enter

GenreBass

Results495

Wen: EPHEM:ERA

Wading through more bullshit than Pusha T claiming Pablo Escobar-esque parables and “beef”, while Kanye’s warbling humbleness, really, there aren’t better openings for taunting new music, much like Wen opening up his sophomore album ‘EPHEM:ERA’ with ‘Silhouette’, when he starts fucking around with that Alice Coltrane sample tho… urgh, it’s dutty time.

Low Jack: Riddims Du Lieu-Dit

While Low Jack’s sound globally remains entrenched in a certain rhythmic vein, his game-changing abilities need no further test, and neither does the motion-setting eminence of his work – widely recognised as a dependable locomotive and first-rate creative matrix by fellow artists out there. Low Jack is a catalyst and his newest full-length delivery on Editions Gravats acts accordingly.

Tzusing

With the shadow of 2018 looming upon us and lots to celebrate after another busy year at the office, we had to put the IA mix series in the hands of someone with a broad enough scope of skills and true balls of steel! We’re proud to present Tzusing as the man in charge of our epic last-ditch stand before we attack the new year, pedal to the metal.

Joe: Tail Lift / MPH

Whether he’s serious or cynical, it seems as if Joe simply keeps doing his own unique thing, staying in anonymity while dropping some of the most interesting cuts to come out of the Hessle camp. We can only hope there’s more to come in the pipeline.

Ploy talks up ‘Intrigued By The Drum’ EP on Timedance

Fusing strains of off-kilter tribal percussion and hints of classic Bristol bass through a sultry savanna of organic sounds, Ploy’s second offering for Timedance sets even higher standards. We sat down with Sam Smith to discuss his production methods, shifting monikers as well as his unconcealed love for bongos.