Having released on a variety of leading-edge labels including Börft, Always Human Tapes, Styles Upon Styles, Where To Now?, Clan Destine and a few more, New
Continue Reading
GenreElectronic
Results2583Premiere: Preset – Atmos4
Few labels out there seem capable of giving you a spitting picture of their day-to-day creative environment with the sense of direct drive-like immediacy Molten Moods does
Continue Reading
Premiere: EMG – Turbine 888
Residing in murky shadows, EMG is on the cusp of dropping a three-track banger via LiveJam Records this month, before getting back into his Berlin-based studio to
Continue Reading
Clark dreams up AI music making methods and discusses his new imprint Throttle Records
Eager to find out more about the ins and outs of Clark’s new record label and debut 12″, we sat down with Chris to discuss a wide array of subjects including AI music making methods, the pressure of presenting an idealised self image to the world, as well as “seeing beauty in everyday things”.
Premiere: Goddard – Gluttony Bay
Again 2018 has proven to be a fruitful year for Seb Wildblood’s imprint, Church. After a handful of choice iterations from the likes of Nicholas, Yadava, Aleksandir, Gnork
Continue Reading
Premiere: ZULI – Nari (ft. Abyusif, Mado $am, Abanob, R-Rhyme)
Patience is a virtue: or so Egyptian producer ZULI would have you believe. The latest cut from his forthcoming debut full-length on UIQ, ‘Terminal’, fizzles, pops
Continue Reading
Arad
Following our music video premiere of Arad’s ‘Inti’ on Bedouin Records, we drafted the Irish producer in for a mix to find out the intricacies of his new audio visual project. We also discuss his residency on Dublin Digital Radio and producing a soundtrack for a horror movie.
Premiere: B. Hayes – Ovation
Inaugurated last year with a choice slab from Joel Shanahan under his Golden Donna moniker, shortly followed by Brazilian artist Zopelar, Madison-based label Yugen Records finally
Continue Reading
Premiere: Nick Klein – The Worst Band In The World
It was only a matter of time until the parallel paths of NYC techno enfant terrible Nick Klein and Entro Senestre’s boundary-pushing imprint BANK Records drew closer
Continue Reading
Premiere: Farron – T-Junk (Hodge Remix)
After quality contributions from US trancey-tech maestro Physical Therapy and Valencian house merchant Pépe, French imprint Renascence are back at it with their third 12″ this
Continue Reading
[diy] bring ZULI, RKSS and Kenny White to The Yard for a night of experimental electronics
Next Thursday London’s latest experimental event series [diy] bring multi-instrumental producer ZULI to The Yard Theatre in Hackney Wick ahead of the release of his debut album ‘Terminal’ on Lee Gamble’s imprint alongside fellow UIQ producer RKSS and Low Company record store operator Kenny White.
Vril lines up second album ‘Anima Mundi’ for Delsin
Following the release of his sublime ‘Haus‘ EP on Giegling earlier this July, today German producer Vril announces his fourth album ‘Anima Mundi‘ on Dutch techno
Continue Reading
Experimental vocalist Stine Janvin steps up on PAN with new album, ‘Fake Synthetic Music’
Continuing her exploration of the human voice’s endless spectrum of frequencies and transfigurative potentialities, Norwegian experimental vocalist Stine Janvin announced that her fourth album will be released
Continue Reading
Seb Wildblood drops new EP ‘Grab The Wheel’ on own label all my thoughts
Fresh off releases on Church and Omena, London house stalwart Seb Wildblood returns with his first EP of the year, ‘Grab The Wheel‘, out early November via his
Continue Reading
Gold Panda and Jas Shaw collaborate as Selling on new album ‘On Reflection’
Today Gold Panda and Jas Shaw (of Simian Mobile Disco) dropped their debut nine-track collaborative album via City Slang under their new production alias Selling. The two
Continue Reading
Tim Hecker with the Konoyo Ensemble and Kara-Lis Coverdale at The Barbican
Daryl Worthington shares his thoughts on the digital and organic sonics that he experienced last weekend at Tim Hecker’s and Kara-Lis Coverdale’s performance at the Barbican’s main hall.