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Traumprinz: All The Things

It seems that everything that Traumprinz touches turns to gold, and All The Things with its gold-coated cover artwork is of no exception.

Shinoby

Our final mix of 2014 comes from the Italian based producer Shinoby. Following releases with Parris Mitchell and a track being selected by Prosumer for Fabric 79, we spoke to Shinoby about his new record label ‘Istheway’ and the Italian scene.

Nick Williams on Meda Fury

We caught up with Meda Fury label boss Nick Williams to discuss the roots of the R&S Records sub-label and how he perceives the label growing in the near future.

Best Record Labels of 2014

From experimental to club extents, soft-tempered house material to the murkiest of techno beats and grooves, the following selection is aimed to provide you with the finest record labels of 2014.

Best Albums of 2014

Vanguard, dark, excessive, fun, bold, touching, innovative, game-changing…it’s time for us to announce our album of the year.

Best Tracks of 2014

2014 has been a year of outstanding releases. From first order, accomplished musicians to new coming talents, it’s time for us to unveil the best tracks of the year.

Barnt: Magazine 13

Barnt’s debut LP is not funny-sounding, it’s not barely cool or assuming any particular stance towards today’s music industry. No, this is nothing of that but most certainly, this album is a subtle game-changer and hopefully, a matrix opus.

Torn Hawk: Let’s Cry And Do Pushups At The Same Time

Using a technique he calls video mulch Wyatt blends found footage with cuts from popular films and scenes recorded by the artist himself. You could always sense an ironic approach in Wyatt’s visuals but his LP feels on the contrary – candid and emotional.

Top Tracks: November 2014

Before the year comes to an end, we’re up for a last round of our monthly top tracks selection.

Various: LL.M.001

Blending together the art of the shape and the replenishment of the matter, LL.M.001 assumes its position with sleek style and unquestionable taste.

Volte-Face

It seems that 2014 has been ‘the’ year in which everything that Casper Clark has worked for has been worth it. This mix is a summation of Volte-Face’s musical scope and integrity, offering up a hour and a half of experimental techno.