Over the course of 9 bleak tracks ‘Imperial Flood’ carves something of a tense horror mystery…each track is poised at the precipice of being club-ready, yet slyly avoiding it. One little nudge would be enough: this LP is a weapon in the hands of a shrewd DJ, but an enigma to a less-capable one.
Bristol based noise collective Avon Terror Corps are offering up their first ever compilation as a name your price initiative via Bandcamp. ‘Avon Is Dead‘ features 19-tracks of industrial,
Giant Swan have announced their debut release for London-based imprint Whities. The three-track release, due out in September, is a typically noise-drenched dose of improvisatory techno
After three years of experiments and learning spent polishing bold and boundless lineups, 2018 marked the fourth edition of Intonal and with it, further confirmed the Swedish festival as a much needed beacon of light for the Nordic experimental music scene. Inverted Audio editor-in-chief Tom Durston shares his personal experience of his time spent at Intonal.
Fresh off an excellent split of AFX-indebted electro and chopped-and-screwed rap courtesy of Crave and Lieu Noir, Parisian label Mind Records returns with Deeat Palace’s self-titled debut, serving up a pair of blustery mind-benders, harnessing the power of convulsive noise strata and rogue synth waves rising from the abysses. Not for the faint of heart.
Jimmy Asquith is best known for heading up the suite of Lobster Theremin labels, it’s distribution arm, and its fledgling London based record store. Just recently, he has started to make himself known as a producer in his own right, rolling out an EP and archive out-takes releases under the moniker Tom Hang. Now, following these initial exploratory expeditions, is his debut album ‘To Be Held In A Non-Position’.