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Wen: EPHEM:ERA

Wading through more bullshit than Pusha T claiming Pablo Escobar-esque parables and “beef”, while Kanye’s warbling humbleness, really, there aren’t better openings for taunting new music, much like Wen opening up his sophomore album ‘EPHEM:ERA’ with ‘Silhouette’, when he starts fucking around with that Alice Coltrane sample tho… urgh, it’s dutty time.

Project Pablo: Come To Canada You Will Like It

Kicking off his new label, Verdicchio Music Publishing, Montreal’s Project Pablo steps up with his inviting debut LP, ‘Come To Canada You Will Like It’. Even though each track is deeply enjoyable on its own we’re talking about a solid work where the whole is greater than the sum of its parts, and where each track acquires full meaning when interacting with the other ones.

Minimal Violence: MVX / U41A

MVX / U41A is an excellent window into Vancouver’s underground club culture. Reflecting the feel of the Sacred Sound Club, a collective that Minimal Violence adhere to, showcasing the heavier and more aggressive side of dance music.

Arp: Zebra

Arp’s “Zebra” finds New York based artist and producer Alexis Georgopoulos closing the door on vocal led efforts and instead exploring a gloriously indefinable set of instrumentals.

N.O.I.A./Rubicon/Rude 66: Morning Bells

Hot on the heels of Betonkust and Innershade’s homage EP to the Belgian new beat scene, ‘Forever In Boccaccio’, Crimes Of The Future returns with its second instalment of the year, ‘Morning Bells’, a killer 12″ single courtesy of Italo legends N.O.I.A., Rubicon and Rude 66 + a stunning revamp from label co-founder Timothy J Fairplay himself.