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Belisha Beacon: This Is Fine

Belisha Beacon’s ‘This Is Fine’ forgoes esoteric sampling and analogue fetishism to revel in the code and wires of its creation. Instead of descending into grain tinged nostalgia or tech’d up futurism, the five track set exists in the fundamental principles of computer music – using entry level software to live code an ever shifting tapestry of minimal techno.

Marsesura: Barry Hats / Sandra Breaks

Following DIVISI 62’s line of “blurring the long lineage of musical idioms in the process”, Marsesura’s new single ‘Barry Hats/Sandra Breaks’ sees the pair bridging remote sound polarities, delving from the Asian continent’s colourful instrumental richness to the US twin cities’ profuse legacy with equal poise.

Ricardo Tobar: Red Sea

Ricardo Tobar takes the chance away from the more listening angled album format to roll out a title track with main room aspirations; yet, while ‘Red Sea’ is the obvious headliner, it is the supporting cast that steal a march. The most earnest welcome back for Tobar, here’s looking forward to more and with the hope of remaining free from the clutches of the torrent scene.

Artefakt: Kinship

Artefakt, with Kinship, have crafted something for the serious techno lovers, the people listening consciously and the boundaries in-between. Under scrutiny and overall, they’ve built a solid album of sustenance and no cream cheese filling.

Look Like: Mistress 09

It is fair to say that the ninth Mistress Recordings release is their most laid back to date. This isn’t to say there isn’t heft to it, that there is, but it is certainly a lot more considered in its approach and part of this is that it comes from Zurich’s Club Zunkunft resident Look Like.

Moiré reflects on ‘No Future’

We caught up with London-based producer Moire to discuss the context and making of his new album ‘No Future’ on Ghostly International as well as the links between society, politics and art.