With 29 tracks on display, there is little room for showcasing. Instead elements drift in and out over the top of a never faltering kick as it shifts from wooden to throbbing to boxy.
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Hodge to release double 12″ through Hemlock Recordings
Untold’s Hemlock Recordings have announced a double 12″ from Bristol based producer Hodge, real name Jacob Martin, scheduled for release on 23d February 2015.
Mistress Recordings to release three-part 12″ Blonde / Redhead / Brunette series
DVS1’s Mistress Recordings celebrate the imprints 5th release with a three-part, 12 track various artist 12″ series on 15th March 2015.
Aphex Twin: Computer Controlled Acoustic Instruments Pt2
A warm and intimate collection that is a worthy follow up to Syro, the timbre of the instruments matching the faintly captured fragments of home life in the background; barking dogs and the colourful chatter of children.
Hessle Audio announce Pearson Sound’s debut self-titled album
London based imprint Hessle Audio have announced the release of Pearson Sound’s debut self-titled debut album, scheduled for release on 9th March 2015.
Asusu launches ‘Impasse’ record label and announces Serra EP
Livity Sound henchman Asusu has announced the launch of his self-run record label Impasse, plus the release of his forthcoming 4 track Serra EP.
Vakant celebrate 10 years with two-part compilation
Berlin based record label Vakant have announced the release of a two-part compilation featuring 14 previously unreleased tracks from the labels extensive roster, released consecutively on 16th February and 2nd March 2015.
Premiere ‘Toe Tag’ taken from Wrong Assessment & Max_M’s forthcoming EP on Parachute Records
We’re premiering the first track from Parachute Records forthcoming collaborative ‘Toe Tag EP’ featuring Milanese artist Wrong Assessment and M_Rec label boss Max_M.
Warp announce Aphex Twin ‘Computer Controlled Acoustic Instruments pt2 EP’
Warp Records have just announced that Aphex Twin will release a new 13 track ‘Computer Controlled Acoustic Instruments pt2 EP’ on 23rd January 2015, available in 140g vinyl as well as CD and digital formats.
Barnt: Magazine 13
Barnt’s debut LP is not funny-sounding, it’s not barely cool or assuming any particular stance towards today’s music industry. No, this is nothing of that but most certainly, this album is a subtle game-changer and hopefully, a matrix opus.
Torn Hawk: Let’s Cry And Do Pushups At The Same Time
Using a technique he calls video mulch Wyatt blends found footage with cuts from popular films and scenes recorded by the artist himself. You could always sense an ironic approach in Wyatt’s visuals but his LP feels on the contrary – candid and emotional.
Moomin: Time Circle
Moomin’s latest foray is a three track offering of his typically dreamy and unique take on deep house, as well as switching up genres for good measure.
Robert Hood: M-Print: 20 Years Of M-Plant Music
This compilation is a monumental summary of the relatively short life of minimal techno as well as being a career-spanning anthology for one of dance music’s all time greats.
Stefan Goldmann discusses Industry, presets and the democratization of electronic music
Olivier Lamm talks to Stefan Goldmann about his new album “Industry” discussing his decision to use presets only, as well as acquiring gear, software and the complications of distributing music to audiences.
Les Sins: Michael
Michael is a solid release but still Chaz Bundick’s weakest to date. It needs to be said the palette of sounds on the album is very rich…yet as a whole the album feels a bit mundane and tends to lose momentum.
Recondite on Iffy
Following the release of Recondite’s third album last month, we caught up with Lorenz Brunner to find out more about the concept behind the album, artwork, music video and relationship he has with Ame, Dixon and the rest of the Innervisions crew.