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Tourist Kid: Crude Tracer

There’s a metallic sheen to almost every sound, a crystalline clarity and high-frequency resonance that sounds decidedly 4K – this may be ambient music, but there’s no nebulous clouds of fuzzed-out synthesis fogging up the stereo field.

Oneohtrix Point Never: Age Of

Daniel Lopatin has been exploring our technological wasteland for years as Oneohtrix Point Never, but Age Of is definitely where it all comes into focus–this time with a pop slant.

GAS: Rausch

If new album Rausch is music of the forest, it’s a forest existing in the laws of time, physics and narrative found in a Christopher Nolan movie. Where earlier GAS records tethered beats and orchestral samples to a dub techno groove, here the instrumentation often feels like it has been cut away from gravity to orbit erratically through and over the beat.

Onyx: Complete Works 1981-1983

With the defunct Boston-based duo’s originals trading at indecent prices on the second-hand market, the long-overdue publication of Onyx ‘Complete Works 1981-1983’ fills a gaping hole as much as it unlatches a comprehensive view into Judd Stone and Beveur’s definitely unique mutant punk-wave universe. Stream ‘SOS’ within.

Low Jack: Riddims Du Lieu-Dit

While Low Jack’s sound globally remains entrenched in a certain rhythmic vein, his game-changing abilities need no further test, and neither does the motion-setting eminence of his work – widely recognised as a dependable locomotive and first-rate creative matrix by fellow artists out there. Low Jack is a catalyst and his newest full-length delivery on Editions Gravats acts accordingly.

Jan Jelinek: Zwischen

Made by and featuring none other than strictly human sounds, warped and deconstructed until it falls in that uncanny valley of dissociative humanism. Jan Jelinek’s latest album ‘Zwischen’ can be considered an exercise in learning to find enjoyment and/or contentment in the intellectual and physical limitations of the human mind and body.

Pablo’s Eye: Spring Break

The 8 tracks here feel assembled as much as arranged, designed as much as composed. Sounds have undoubtedly been picked for their audio quality, but they’ve been layered on the canvass in the way a painter uses colours.

After The Flash Flood: Prairie talks up his latest album on Denovali

With just a few hours to go before prairie’s new album ‘After The Flash Flood’ on Denovali hits the streets, we caught up with Marc Jacobs to discuss his recording process and unique vision. Meanwhile, get a taster with ‘Elephants Will Rise Again’ down below.