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Peder Mannerfelt: Transmissions From A Drainpipe

Over a few years in the production game, fact is Stockholm’s offbeat techno warlock Peder Mannerfelt has been one of the few out there to consistently question the nature of stomping mechanics and its subsequent functional use. Picking up where ‘Controlling Body’ left off, Mannerfelt dishes out a four-track EP that works on alternating current voltage.

Bernardino Femminielli: Plaisirs Américains (Greek Limited Edition)

Initially released in May, Femminielli’s sixth full-length ‘Plaisirs Américains’ was recently re-issued in a one-off, buy-it-or-miss-it edition featuring two new unreleased tracks. Driven by a carefree, deliberately obscene attitude, the Montreal-based artist keeps on carving out his own lane, delivering yet another tight-laced symphony of hypnotic, unsettling lullabies.

S.O.N.S: Shinjuku One Night Stand

After making quite a splash with the widely praised inaugural transmission of the T.O.K.Y.O series, released via his own eponymous imprint two years ago, mysterious producer S.O.N.S is back with the just as massive ‘Shinjuku One Night Stand’ – a six-track double pack larded with acidic salvos, augmented jungle moves and irruptive laser-battle gunnery.

Unsound Festival 2016

Unsound has made Krakow the crown jewel of an experience that only adds to walking, driving, taking a tram to seeing someone like Senyawa spook their audience to their very core, or seeing Kyle Dixon and Michael Stein bring out one’s inner-child when they played their works from Netflix’s Stranger Things.

EMG

Ahead of EMG’s second release on The Trilogy Tapes, Emanuele Giannini contributes one of his rare mixes showing off his expertise in building up meditative journeys – starting from a long introspective opening, focused on ambient sounds, before circling into a series of captivating house grooves.

Visual Retrospective: Dave Huismans reflects on A Made Up Sound

Dutch producer Dave Huismans selects five label designs from his own imprint A Made Up Sound, revealing the original locations of where the photographs were captured and methods used to create the corrosive and industrial aesthetic that make up the AMUS discography.

Broshuda: Ooze Vector

Just as he does toy with shapes and structures through retro-laced, post-pop and graffiti-imbued collages, Broshuda has developed a sound that is steadily mutating from a certain ‘figuration’ to increasingly abstract forms. Moving from more calibrated formats to anti-normative fields of experimentation, ‘Ooze Vector’ is a striking example of this substantial evolution.