Over the past 12 months we have overindulged in a vast array of consistently on-point long players from artists both new and old. As with tradition we have compiled what we believe to be the best albums of 2019.
Followers of Quirke will be relieved to find that the producer’s first full-length album marks his arrival at precisely the sound that he has been consistently mining for the last five years. And given the quality of his previous output, it should come as no surprise that this vein is both rich and deep.
‘Whities 021’ in its effervescent minimalism and steadiness is more meditative and regular compared to some of Bambounou’s quirkier, flashier and club-ready works, a kind of surprising and counterintuitive move considered that Whities is certainly not a label afraid of pushing the boundaries of experimentation.
Giant Swan have announced their debut release for London-based imprint Whities. The three-track release, due out in September, is a typically noise-drenched dose of improvisatory techno
It’s becoming quite impossible to pin down Finlayson in terms of sonic palate. You can trace back to the roots – through dubstep, electro, jungle and techno – yet he has quickly established himself as one of those rare breed of artists – such as Call Super and Objekt – whose sound is simply Minor Science.