Similar in essence to its ‘Dobb Meep’ and ‘Drip Box’ predecessors, this new three-tracker from the Klasse Recordings pair goes straight for the jugular, dishing out a playful shifting of spacious harmonics and skittish drumwork gone wild.
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D.K.: Island Of Dreams
Whilst a major part of the current retro-driven house and electronica sometimes feels like losing itself in vain convolutions, D.K.’s sound certainly offers a way finer rethink of the well-tried recipes he gets to toy with.
Sasha: Scene Delete
This is the forth entry driven from Sasha’s own production desk with no dip in quality. It begs the question; will anyone ever manage to best Coe in this arena. As it stands, all signs are pointing towards “no.”
Don’t DJ: Gammellan
Following up to the finespun ‘Hexentrix’ which featured a tasty revamp from Juju & Jordash’s Jordan Czamanski on the flip, Florian Meyer now reemerges with a strong single traveling to the easternmost side of the planet.
Jordan GCZ: Fission Transmission
If you consider music to be the most boundless, universal vehicle of any languages, wait for this to transport you into territories you’re not about to visit anywhere else.
Shinoby: Do You Know We Exist? EP
‘Do You Know We Exist?’ doesnt stray too much from Shinoby’s couple of previous outings, diving head first into a pool of heavy-battered melodies and ferocious drum-driven grooves in equal measure. Intense.
Ondo Fudd: Blue Dot
Flippant as it sounds, Seaton’s accomplishment in production keeps on growing to the extent where every release now comes with a “must have” status.
Low Jack: Lighthouse Stories
Low Jack’s albums have never been meant for easy listening or straight up club use, instead unchaining from any pre-conceived system or unwanted labelling. This debut outing for the highly-esteemed Modern Love does not only keep its promises music-wise, it also confirms the French producer as one of the most innovative techno producers out there.
Anna Homler and Steve Moshier: Breadwoman & Other Tales
First released in 1985, the collaboration between conceptual artist Anna Homler and experimental composer Steve Moshier took a piece of performance art out of the gallery and translated it to a permanent, universal medium.
Ewan Jansen: Lost Embers EP
It happens that a release strikes such a sensitive chord that it makes you want to devour the whole artist’s catalogue in a row but more rarely does it make up for lost time so impressively.
Q3A: Space Chamber
Hungarian producer Route 8 makes his debut appearance on Dutch imprint Delsin under his Q3A guise, serving up a solid, aptly-titled four-tracker that put on a fine mixture of house, techno and electro.
Forum: Forum EP
Forum steps in with a multi-flavoured four-track slab sharing the fragile and elusive charm of an after-party daybreak recovery and propelling quality of shazam’able in-club climaxes.
Nu Guinea: The Tony Allen Experiments
Extending the wide-ranging savoir faire of illustrious afrobeat pulse-machine Tony Allen with a fresh blend of retro-laced and path-clearing vision, Nu Guinea’s debut long-player stands as an original creation in its own right.
Guy Andrews: Our Spaces
“Our Spaces” is absurdly crammed with powerhouse belters, of blistering and emotive electronic music, of tentative air and formidable listening. In its entirety, Guy Andrews has created a perfect mix of otherworldly techno and distorted post-rock, strewn together then torn right back up again, a palpable irony against the laws of electronic music, that works so, so well.
Anenon: Petrol
Anenon, hailer of LA, lover of jazz, proportionate improviser and dedicated musician has brought out his third effort – ‘Petrol’, a remarkably poignant and daringly experimental album.
William Basinski: ‘A Shadow In Time’ at Union Chapel
Just like many other musicians who defiantly do things their own way, William Basinski clearly loves the music he makes, which is abstract enough to be utterly malleable in its interpretation or profundity, a unique experience for each listener. He is kind of a rockstar.