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IA MIX 355 Relaxer

Following the release of ‘Concealer‘ LP on Planet Mu, Relaxer steps up to deliver the 355th edition of the IA MIX Series, culminating in an hour
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Eomac: Cracks

“Eomac delivers a euphoric selection from his ever-developing reserve, and momentarily alleviates the static of an industry on hold” With an abrupt surplus of time, ‘Cracks’
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Ital Tek: Outland

Ital Tek’s seventh album ‘Outland’ imposes on the listener a kind of comfortable claustrophobia, inviting us inward to melt in the ravine he has created.

Farwarmth: Momentary Glow

Farwarmth’s debut release on Planet Mu sees the Portuguese artist exploring the static possibilities of ambient noise and the existential release that comes through collaboration.

Ziúr: ATØ

Berlin-based experimentalist, futurist and producer Ziúr returns to Planet Mu with her second album ‘ATØ’ – a portal to worldwide change, it is as vibrant as the unapologetic and unwavering musical landscape of Berlin.

Meemo Comma: Sleepmoss

Lara Rix-Martin marks her first album release on Planet Mu with an eerie ode to the changing seasons on ‘Sleepmoss’. Awash with field recordings and natural ambient tones, Sleepmoss sets a new precedence for Rix-Martin’s work as an artist and her role as commentator to the winds and rain.

DJ Nate: Take Off Mode

The scene will never be the same with the loss of so many legends as of late, but after a brief scrape with death himself, DJ Nate goes back to the beginning and proves the saying that “constant repetition carries conviction.”

Silk Road Assassins: State Of Ruin

Silk Road Assassins have unlocked the inherent but underused therapeutic properties of trap and grime production, refined to the point of purity and elevate their value to the point of becoming music that can sit comfortably alongside any contemporary sub-genre of electronica.

Konx-Om-Pax: Caramel

Tom Scholefield’s music sounds like the work of someone who is used to visual forms of expression; analogue tones distinguish it from his animations which are often characterised by a digital sheen, but the album nonetheless lends itself to an almost synesthetic experience.

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