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Thomas Fehlmann: Los Lagos

It’s been a while since we’ve heard a solo project from the electronic music legend, and the wait has been well worth it. ‘Los Lagos’ is a testament to Fehlmann’s longevity as an artist and a peak at what he’s capable of as a songwriter and producer.

Various Artists: Studio Barnhus Volym 1

Studio Barnhus Volym 1 is a quintessential representation of Studio Barnhus quirky, carefree and joyful sound – nothing less than a treasure for the lovers of the Stockholm label.

Wen: EPHEM:ERA

Wading through more bullshit than Pusha T claiming Pablo Escobar-esque parables and “beef”, while Kanye’s warbling humbleness, really, there aren’t better openings for taunting new music, much like Wen opening up his sophomore album ‘EPHEM:ERA’ with ‘Silhouette’, when he starts fucking around with that Alice Coltrane sample tho… urgh, it’s dutty time.

Arp: Zebra

Arp’s “Zebra” finds New York based artist and producer Alexis Georgopoulos closing the door on vocal led efforts and instead exploring a gloriously indefinable set of instrumentals.

Oneohtrix Point Never: Age Of

Daniel Lopatin has been exploring our technological wasteland for years as Oneohtrix Point Never, but Age Of is definitely where it all comes into focus–this time with a pop slant.

GAS: Rausch

If new album Rausch is music of the forest, it’s a forest existing in the laws of time, physics and narrative found in a Christopher Nolan movie. Where earlier GAS records tethered beats and orchestral samples to a dub techno groove, here the instrumentation often feels like it has been cut away from gravity to orbit erratically through and over the beat.