With the release’o’meter stuck to one in 2017, Chuggy Leath’s [Emotional] Especial imprint finally reemerges to our greatest delight this year with the debut outing of emerging London-based duo Weird Weather. Watch the video for ‘Bamboo Room’ directed by Letty Fox, exclusively on IA.
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SMX & Koehler: Whities Blue 02
Following up to the first instalment of their newly launched Blue series, courtesy of Tessela and Lanark Artefax, eclectic Young Turks offshoot Whities return with another split two-track extended player from Koehler and SMX.
Premiere: quadratschulz – Lost In Jack
Expert traders of fast-track electro grooves and bleepy retro-futuristic delicacies, French imprint Nocta Numerica keep up the pace after a much busy start of the year, crowned by
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GAS: Rausch
If new album Rausch is music of the forest, it’s a forest existing in the laws of time, physics and narrative found in a Christopher Nolan movie. Where earlier GAS records tethered beats and orchestral samples to a dub techno groove, here the instrumentation often feels like it has been cut away from gravity to orbit erratically through and over the beat.
Premiere: Shy Layers – 15 and 4
From modular improvisation to vocalists recruited through Craigslist, Shy Layers ‘Midnight Marker‘, released May 25th on Tim Sweeney’s Beats In Space, had an unusual creation. The record is
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Galcher Lustwerk announces digital only album 200% GALCHER
5 years after his 100% Galcher mix for Matthew Kent’s consistently on-point online mix series Blowing Up The Workshop, US-based producer Galcher Lustwerk reinterprets the album format
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Premiere: Yoshinori Hayashi – 0208
“No man is an island“, the old saying goes. Well to be thoroughly honest, if not an island, Yoshinori Hayashi certainly is the one and only master of
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Premiere: Throwing Snow – Minotaurs
The work of UK-born and based producer Ross Tones, best known as Throwing Snow, is one of deadly precision and poisonous charm. Cultivating a self-disciplined tension between
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Onyx: Complete Works 1981-1983
With the defunct Boston-based duo’s originals trading at indecent prices on the second-hand market, the long-overdue publication of Onyx ‘Complete Works 1981-1983’ fills a gaping hole as much as it unlatches a comprehensive view into Judd Stone and Beveur’s definitely unique mutant punk-wave universe. Stream ‘SOS’ within.
Premiere: Barker – Filter Bubbles
Sam Barker of Barker & Baumecker is making his solo debut on Ostgut Ton this June with a new experimental dancefloor EP. “Debiasing” is said to
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Premiere: Farron – Spring Break Ya Neck (Leibniz Remix)
An early flag-bearer of Munich’s Ilian Tape for which he’s released a pair of digital EPs in 2009 and 2012, Bavarian producer Farron (then mostly active under
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VA: Molten Moods 4
After two promising VAs and a debut solo instalment courtesy of Yamer partner in crime Jonas Friedlich two years ago, Munich-based imprint Molten Moods recently landed their fourth outing, featuring local staples Jonas Yamer, Skee Mask, Konrad Wehrmeister and Kessel Vale. All in all a fine-tuned tour de force, strongly cohesive and impeccably curated.
Premiere: In Aeternam Vale – 180 GeV (2000)
Set up in Lyons in 1983 alongside Pascal Aubert and Chrystelle Marin, the main project of boundless electronic pioneer and innovator Laurent Prot – In Aeternam Vale,
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Premiere: Locked Club – Sluchilos’
Whilst renowned democracy champions Donald Trump and Vladimir Putin bend muscles across diverse theatres of operations worldwide, artistic collabs between Russian musicians and US outlets keep
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Jungle Fever & Frenzied Polyrhythms: Bambounou goes wild and steely on ‘Parametr Perkusja’
Back after a three-year hiatus, French producer Bambounou resurfaces with ‘Parametr Perkusja’, a three-track effort that cross-fertilises hypnotic gamelan motifs with complex polyrhythmic patterns and impactful tribal-tech bursts. We caught up with Jéremy to discuss his longed-for return, studio matters and the new orientation his music has taken over the years.
DJ Koze: Knock Knock
On his new album, Koze explores a more psychedelic, layered sound palette, with each song sounding even richer than his last album, Amygdala. Knock Knock is like taking a bite of a handcrafted dark chocolate bar–equally bitter and sweet at the same time, a perfect blend of rawness and craft.