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Mark Pritchard: The Four Worlds

‘The Four Worlds’ feels strange and contextless, a peculiar statement that may seem at first like it doesn’t know what it’s aiming for. Don’t be fooled though, as this bewildered unfamiliarity is an aim in itself. Pulled away from the record and taken as singular statements, any of these eight tracks might not make much sense, but together, they cohere into something weirdly beautiful.

Gigi Masin: KITE

KITE is simply an album that doesn’t need to do anything beyond exist in its own little vacuum; it isn’t a profound new age revelation, but it’s great because it doesn’t try to be.

Rezzett: Rezzett

After a string of well-received EPs on The Trilogy Tapes that’s seen them forge an eccentric signature sound halfway lo-fi analogue house and cask-aged breakbeat vintage, the pair was yet to hit the full-length format and to be honest, they managed to come up with an album both articulate and rejoicingly bleary.