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James K talks up “PET”

Ahead of the release of James K eagerly-awaited debut long-player “PET”, we took the chance to find out more about her creative modus operandi and the symbolisms at work behind the album plus her long-haul artistic evolution.

Tim Hecker: Love Streams

Whether it’s a result of people’s tastes becoming more diverse in the wake of file sharing, or decades of extreme music lowering the threshold of what’s considered ‘a bit too weird’, the outcome is clear. Albums such as Love Streams no longer have to be judged solely by the niche standards of experimental music.

D.K.: Island Of Dreams

Whilst a major part of the current retro-driven house and electronica sometimes feels like losing itself in vain convolutions, D.K.’s sound certainly offers a way finer rethink of the well-tried recipes he gets to toy with.

Low Jack: Lighthouse Stories

Low Jack’s albums have never been meant for easy listening or straight up club use, instead unchaining from any pre-conceived system or unwanted labelling. This debut outing for the highly-esteemed Modern Love does not only keep its promises music-wise, it also confirms the French producer as one of the most innovative techno producers out there.

Anna Homler and Steve Moshier: Breadwoman & Other Tales

First released in 1985, the collaboration between conceptual artist Anna Homler and experimental composer Steve Moshier took a piece of performance art out of the gallery and translated it to a permanent, universal medium.

Nu Guinea: The Tony Allen Experiments

Extending the wide-ranging savoir faire of illustrious afrobeat pulse-machine Tony Allen with a fresh blend of retro-laced and path-clearing vision, Nu Guinea’s debut long-player stands as an original creation in its own right.

Guy Andrews: Our Spaces

“Our Spaces” is absurdly crammed with powerhouse belters, of blistering and emotive electronic music, of tentative air and formidable listening. In its entirety, Guy Andrews has created a perfect mix of otherworldly techno and distorted post-rock, strewn together then torn right back up again, a palpable irony against the laws of electronic music, that works so, so well.