Nathan Micay, the Canadian producer better known under the alias Bwana, has announced the release of his debut for venerable London-based imprint Whities and his first
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GenreElectronic
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Bryce Hackford & Brian Allen Simon hark back on their experimental collaboration ‘Commend Here’
In celebration of the cassette release of Brian Allen Simon and Bryce Hackford latest collaborative event ‘Commend Here’ on RVNG Intl. which took place earlier back in April 2018, we asked the pair to discuss the thoughts and feelings behind their collaborative process and let us listen in.
Premiere: VASE – Aviolet
Incepted last year with a solid debut compilation, Berlin-via-Manchester based imprint INDEX: Records follow up to their inaugural 12″ with a new instalment courtesy of South American-born, Berlin-based
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From The Ground Up: NeXTones tell us how they transformed a marble quarry into an AV festival
Ahead of NeXTones 2018 we caught up with the festival team to find out more about the intricacies of hosting a large scale event within a marble quarry in the Italian Alps and what people can expect at this years edition.
Nachtdigital announce Nachtdigital Flex Various Artists LP and Jane Fitz ambient cassette
To coincide with the first day of Nachtdigital Flex taking place on 3rd August 2018 at Bungalowdorf Olganitz in Leipzig, the German electronic music festival has
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Premiere: River Yarra – Sli Ggogg
As years go by, the love of Parisian imprint Antinote for oddball (as in anything that may shake your drowsy senses’ certitudes upside down) and exotic hybrids
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Semtek
With Don’t Be Afraid setting benchmarks and then successively smashing them, Inverted Audio was presented with the chance to host a mix from B.D.A. label boss Benjamin Roth aka Semtek. Featuring some of his favourite oddball UK techno releases from the past alongside music from the labels that he’s into, this mix is a verdant exploration into Semtek’s musical taste.
Premiere: Z Lovecraft – Verge Dub
Hailing from South East London, Z Lovecraft first emerged last year with a debut solo platter on No Bad Days, coupled with contributions to the likes
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Wen: EPHEM:ERA
Wading through more bullshit than Pusha T claiming Pablo Escobar-esque parables and “beef”, while Kanye’s warbling humbleness, really, there aren’t better openings for taunting new music, much like Wen opening up his sophomore album ‘EPHEM:ERA’ with ‘Silhouette’, when he starts fucking around with that Alice Coltrane sample tho… urgh, it’s dutty time.
Don’t DJ returns to Berceuse Heroique with ‘All Love Affairs Fair But They Never End’ EP
If it’s true that Berceuse Heroique maintains a solid, tight-knit relationship with its artists, it is even truer in the case of Florian Meyer aka Don’t
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Project Pablo: Come To Canada You Will Like It
Kicking off his new label, Verdicchio Music Publishing, Montreal’s Project Pablo steps up with his inviting debut LP, ‘Come To Canada You Will Like It’. Even though each track is deeply enjoyable on its own we’re talking about a solid work where the whole is greater than the sum of its parts, and where each track acquires full meaning when interacting with the other ones.
Patricia announces ‘Free Lunch’ EP for Nona Records
Brooklyn-based sound artist Max Ravitz is best known under the alias Patricia, a moniker inaugurated in 2013 with the ‘Body Issues‘ LP and cemented since then
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Premiere: Priori – Noogenesis
Athen’s Echovolt Records has been around for near a decade but its output remains that of a bright eyed and bushy tailed structure, eager to establish new talents
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Martyn opens up about his regenerative album ‘Voids’ on Ostgut Ton
We caught up with Dutch-born, D.C.-based artist Martyn about his regenerative album “Voids”, his move to Ostgut Ton, the state of health for touring DJ’s and even Tiesto.
Premiere: Hank Youngman – Like I Did (ft. DJ Heure)
Quite intensely active on the digital front for a while, Aussie label Nerang Recordings successfully switched to the 12″ format since last year and the release of their
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Arp: Zebra
Arp’s “Zebra” finds New York based artist and producer Alexis Georgopoulos closing the door on vocal led efforts and instead exploring a gloriously indefinable set of instrumentals.