Jacaszek demonstrates a uniquely wide set of influences, encompassing both avant-garde Sonorism and contemporary film scoring.
A specimen of all the best of Shepherd’s work to date, the steady build-up of ‘Crush’ creates a ripple across all spectres of electronic experimentalism and, though no track exceeds the six-minute bar, the impressions they leave are everlasting. Indeed, ‘Crush’ shows Floating Points in full possession of his art; a true master of his craft.
This music is full of synaptic electricity, it fizzes with floods of ideas, fidgety, unable to sit still, but simultaneously at peace with itself. FlyLo’s music is decentered, intra-weaving, and laterally combines a myriad of codes, the sonic equivalent of a negative dialectic, Lotus’s compositions simultaneously thump and confound.