As a DJ, Juxta Position is more focussed on one type of sound compared to the eclecticism of Marquis Hawkes. We caught up with the man behind the two aliases to discuss how got involved with DVS1’s Mistress Recordings and his music.
AuthorSimon Whight
Results307A contributor to a variety of respected online publications, Simon joined the Inverted Audio ranks early in 2013. Bred on mother rave and nourished by the original strains of US house, he is someone who has lived through the first time deep house faced a backlash, the rise and fall of progressive house, and the multiple swings of fashion towards minimal, tech house, bass and beyond. As such, genres are not an important factor in critical appraisal, just good music that can stand on its own two feet. Be it uptempo or downtempo, alien or organic, everything is valid. Emotionless techno, needlessly abstract noise, derivative house and self indulgent muso-ism can all check their feet at the door. Bad taste in hats.
Black Devil Disco Club ‘H Friend’ gets remixed by Andrew Weatherall, GoldFFInch, Loframes and Luke Million
Hot on the heels of the extensive remaster work of the Bernard Fevre back catalogue, cult classic ‘H Friend’ gets remixed by Andrew Weatherall, GoldFFInch, Loframes and Luke Million – Stream the EP exclusively on Inverted Audio.
Kask: Periferia
Periferia ultimately satisfies and leaves you begging for more. A delicious juxtaposition that bodes well for the fledgling X-Kalay imprint.
The Valley And The Mountain
Mysterious production collective ‘The Valley And The Mountain’ gave us the opportunity to peer through the shroud with the team who, fittingly, managed to maintain their mysterious enigma.
Kelly Lee Owens
With tastes that vary from the grittiest club fare to wispy shoegaze pop, plus a history of working in various London based record stores, we took the chance to get to know more about the world of Kelly Lee Owens.
Call Super: Migrant
Call Super’s latest release, the two tracker of ‘Migrant’ and ‘Meltintu’, is yet another facet of Seaton’s capabilities, although it is one you may have already seen coming.
ASOK
Liverpool based producer ASOK serves up over an hours worth of techno and talks us through releasing music on Aroy Dee’s MOS Recordings, DVS1’s Mistress Recordings and his own imprint ‘Scenery’.
Loosewomen: Nobody
Grade10 launched with the dreamy release from Kollaps, flagging attention from Boiler Room and Rinse FM. With this second release from Loosewomen, it proves that there is indeed fire where there is smoke.
Parachute announce CW/A debut album ‘Words Unspoken, Acts Undone’
This October sees the debut album of the CW/A pairing, ‘Words Unspoken, Acts Undone’, refining that signature sound into a widescreen rendition. Soundtrack techno for the lengthening nights.
Robert Henke discusses audiovisual laser show ‘Lumière II’ ahead of Festival Forte
With Festival Forte looming round the corner, we took the chance to catch up with Robert Henke to talk about his audiovisual laser performance Lumiere II and his involvement with the Portuguese festival.
Third studio album from Simoncino set for release on Crème Organization
Mere seconds of ’90’s Theme’ was enough to give us a clear indication that this is some seriously hot property.
Expander
With the Portuguese techno festival fast approaching we took a chance to catch up with Ilidio Chaves aka Expander to discover the story behind Festival Forte and to get a small window into the scene that is being set.
Bjarki: Arthur And Intergalactic Whales
It takes no greater pleasure than infectiously chanting it’s title at you over and over, like some sort of Berghain bred techno Pokémon. It’s easy to love but there is a greater treat over on the flip.
Inigo Kennedy: Requiem Remixed
This selection of remixes from last year’s “Vaudeville LP” by Inigo Kennedy is an absolute delight, drafting in four producers (Efdemin, Kangding Ray, Regis, Dasha Rush) who are terrifically on point.
DJ CAM
We caught up with DJ CAM to discuss his unofficial soundtrack to Miami Vice and his love of the Roland TR 808, Miami hip-hop and what the future holds for his own Inflamable imprint.
Mark E: E-Work #1
One of those deeply visual productions where you can close your eyes and visualise LEDs moving across an 808, the lick of a smile coming with the tangible shift in patterns.