Asa 808 ‘Love Trumps Fear’ is part of a double headed single whose flip side ‘Woke’ is already seeing mileage from Avalon Emerson, Breach, Frits Wentink, George FitzGerald and Whitesquare – that acts as a pre-cursor for a forthcoming mini-LP. Already the entrée bodes well for the main course.
American producer Bary Center shares his self-directed music video exclusively on IA – evoking the weird cult rituals of Eyes Wide Shut, kodachrome sorcery of Hausu and demoniac ambience of The Ninth Gate. Interlarded with cutaway shots of Bary himself, the dancers’ convulsive moves fit the rhythm and sound like a glove, mesmerising as can be.
We’re glad to bring you the exclusive stream of HMOT and MASSA’s eponymous visual piece – a dizzying 3D tableau blending disfigured virtual flesh and convulsive glitches, drawing out the Russian producer’s fractured, ectopic rhythms into an immersive realm of fear and trepidation where bodies collide, reel and disintegrate.
Illustrating the track’s pulsating rhythms with a convulsive black and white composition of rotating geometric shapes, abstract figures and IT glitches, Dybala’s piece makes for a much compelling, hypnotic visual collage that fits Chino’s music like a glove. Warning: this video can potentially trigger seizures for people with photosensitive epilepsy.
Sergie Rezza’s ‘Envolve’ is an absorbingly beautiful piece of visual abstraction that can best be described as a view through a microscope after a hefty dose of psilocybin – the perfect accompaniment to a track that leans towards the psychotropic, careening through blissful pads, heavenly atmospherics and nuanced rhythms on a 10-minute musical trip that ends all too soon.
We’re glad to premiere the music video for a beautiful cut from Walrus Ghost & Max Frankl album “Downing Still Life” – shot and directed by Brendan Gilliam all in Super 8, this one’s a BoC-reminiscent trip into memory’s deepest emotional recesses, a gently contemplative piece soaked in the warm orange glow of nostalgia.
Still working wonders when associated with ’80s tribute films and series such as the acclaimed TV-show ‘Stranger Things’ – as underlined by Michael Stein and Kyle Dixon’s award-winning OST, this multi-hued mix of cosmic keyboard music and sci-fi indebted imagery is at the heart of Charlie Gerszewski’s short film for Mr. Eff’s ‘Midnight Predator’, which we’re glad to present today.